Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/28803Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Blackburn, Alana | en |
| dc.date.accessioned | 2020-05-28T04:13:02Z | - |
| dc.date.available | 2020-05-28T04:13:02Z | - |
| dc.date.issued | 2018-06-21 | - |
| dc.identifier.citation | The Conversation, v.Business + Economy | en |
| dc.identifier.issn | 2201-5639 | en |
| dc.identifier.issn | 1441-8681 | en |
| dc.identifier.uri | https://hdl.handle.net/1959.11/28803 | - |
| dc.description.abstract | The “gig economy” has been the life for musicians for many years. Despite financial instability and the prospect of unemployment, why do musicians choose this type of work? And what can we learn from their motivations? | en |
| dc.language | en | en |
| dc.publisher | The Conversation Media Group Ltd | en |
| dc.relation.ispartof | The Conversation | en |
| dc.rights | Attribution-NoDerivatives 4.0 International | * |
| dc.rights.uri | http://creativecommons.org/licenses/by-nd/4.0/ | * |
| dc.title | The gig economy is nothing new for musicians – here’s what their ‘portfolio careers’ can teach us | en |
| dc.type | Journal Article | en |
| dcterms.accessRights | Gold | en |
| local.contributor.firstname | Alana | en |
| local.subject.for2008 | 149999 Economics not elsewhere classified | en |
| local.subject.for2008 | 190407 Music Performance | en |
| local.subject.seo2008 | 910499 Management and Productivity not elsewhere classified | en |
| local.profile.school | Office of Faculty of HASS and Education | en |
| local.profile.email | ablackb6@une.edu.au | en |
| local.output.category | C3 | en |
| local.record.place | au | en |
| local.record.institution | University of New England | en |
| local.publisher.place | Australia | en |
| local.url.open | https://theconversation.com/the-gig-economy-is-nothing-new-for-musicians-heres-what-their-portfolio-careers-can-teach-us-98247 | en |
| local.identifier.volume | Business + Economy | en |
| local.access.fulltext | Yes | en |
| local.contributor.lastname | Blackburn | en |
| dc.identifier.staff | une-id:ablackb6 | en |
| local.profile.orcid | 0000-0001-6738-2718 | en |
| local.profile.role | author | en |
| local.identifier.unepublicationid | une:1959.11/28803 | en |
| dc.identifier.academiclevel | Academic | en |
| local.title.maintitle | The gig economy is nothing new for musicians – here’s what their ‘portfolio careers’ can teach us | en |
| local.output.categorydescription | C3 Non-Refereed Article in a Professional Journal | en |
| local.relation.url | http://www.worldcat.org/oclc/823749837 | en |
| local.search.author | Blackburn, Alana | en |
| local.istranslated | No | en |
| local.uneassociation | Yes | en |
| local.atsiresearch | No | en |
| local.sensitive.cultural | No | en |
| local.year.published | 2018 | en |
| local.fileurl.closedpublished | https://rune.une.edu.au/web/retrieve/4ea54ee5-5332-4973-85f0-9e94804354de | en |
| local.subject.for2020 | 350405 Sport and leisure management | en |
| local.subject.for2020 | 350707 Leadership | en |
| local.subject.for2020 | 360304 Music performance | en |
| local.subject.seo2020 | 150304 Productivity (excl. public sector) | en |
| Appears in Collections: | Journal Article School of Humanities, Arts and Social Sciences UNE Business School | |
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