Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/28802Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Blackburn, Alana | en |
| dc.date.accessioned | 2020-05-28T03:51:22Z | - |
| dc.date.available | 2020-05-28T03:51:22Z | - |
| dc.date.issued | 2018-11-29 | - |
| dc.identifier.citation | The Conversation, v.Arts + Culture | en |
| dc.identifier.issn | 2201-5639 | en |
| dc.identifier.issn | 1441-8681 | en |
| dc.identifier.uri | https://hdl.handle.net/1959.11/28802 | - |
| dc.description.abstract | As AusMusic month closes, it’s a good opportunity to consider an instrument that has made quite a contribution to the musical life of Australia. The notorious recorder has been feared by parents and called an “instrument of torture”. But what has this instrument given us that we might not realise? | en |
| dc.language | en | en |
| dc.publisher | The Conversation Media Group Ltd | en |
| dc.relation.ispartof | The Conversation | en |
| dc.rights | Attribution-NoDerivatives 4.0 International | * |
| dc.rights.uri | http://creativecommons.org/licenses/by-nd/4.0/ | * |
| dc.title | Instrument of torture? In defence of the recorder | en |
| dc.type | Journal Article | en |
| dcterms.accessRights | Gold | en |
| local.contributor.firstname | Alana | en |
| local.subject.for2008 | 190407 Music Performance | en |
| local.subject.for2008 | 190499 Performing Arts and Creative Writing not elsewhere classified | en |
| local.subject.seo2008 | 950101 Music | en |
| local.subject.seo2008 | 959999 Cultural Understanding not elsewhere classified | en |
| local.profile.school | Office of Faculty of HASS and Education | en |
| local.profile.email | ablackb6@une.edu.au | en |
| local.output.category | C3 | en |
| local.record.place | au | en |
| local.record.institution | University of New England | en |
| local.publisher.place | Australia | en |
| local.url.open | https://theconversation.com/instrument-of-torture-in-defence-of-the-recorder-107699 | en |
| local.identifier.volume | Arts + Culture | en |
| local.access.fulltext | Yes | en |
| local.contributor.lastname | Blackburn | en |
| dc.identifier.staff | une-id:ablackb6 | en |
| local.profile.orcid | 0000-0001-6738-2718 | en |
| local.profile.role | author | en |
| local.identifier.unepublicationid | une:1959.11/28802 | en |
| dc.identifier.academiclevel | Academic | en |
| local.title.maintitle | Instrument of torture? In defence of the recorder | en |
| local.output.categorydescription | C3 Non-Refereed Article in a Professional Journal | en |
| local.relation.url | http://www.worldcat.org/oclc/823749837 | en |
| local.search.author | Blackburn, Alana | en |
| local.istranslated | No | en |
| local.uneassociation | Yes | en |
| local.atsiresearch | No | en |
| local.sensitive.cultural | No | en |
| local.year.published | 2018 | en |
| local.fileurl.closedpublished | https://rune.une.edu.au/web/retrieve/bbadafe7-5cc2-4c03-9e19-385659bb31e5 | en |
| local.subject.for2020 | 360304 Music performance | en |
| local.subject.for2020 | 360303 Music education | en |
| local.subject.seo2020 | 130102 Music | en |
| local.subject.seo2020 | 130103 The creative arts | en |
| Appears in Collections: | Journal Article School of Humanities, Arts and Social Sciences UNE Business School | |
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