Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/64651
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dc.contributor.authorPorter, Glennen
dc.date.accessioned2025-02-03T02:46:27Z-
dc.date.available2025-02-03T02:46:27Z-
dc.identifier.citationCrime, Media, Culture, p. 1-16en
dc.identifier.issn1741-6604en
dc.identifier.issn1741-6590en
dc.identifier.urihttps://hdl.handle.net/1959.11/64651-
dc.description.abstract<p>Landscape photography can be classic renditions of the natural environment within a picturesque tradition found in early English landscape paintings; however, culturally, it can also mean images of other types of environments involving humanity, including human interactions reminiscent of urbanscapes, industrial environments, cityscapes, sites of violent crime, engagement of war and others. Critically, landscape imagery within visual arts also functions within a rhetorical political context by forming concepts of national identity. While this photo-essay comprises of landscape images, the work is not about the landscape or the objects within the space framed by the camera. This work is about 'place' and the political and historical events that occurred at these sites. The places photographed in this work are an attempt to draw attention to the violence referred to as the frontier wars between the British military, settlers and Indigenous peoples during colonisation. The objective of the work is to enhance a contemporary consciousness and hopefully amend the collective historical narrative that suggests the British displacement and occupation of Aboriginal Nations was a peaceful transition. Australian history has a blind spot when it comes to the violence during this period that involved fierce resistance from the Indigenous people, the internment of families into missions and the hundreds of massacres by colonists across the entire country.</p>en
dc.languageenen
dc.publisherSage Publications Ltden
dc.relation.ispartofCrime, Media, Cultureen
dc.titleOut of the shadows: A photo-essay of antipodean colonisation, resistance and massacresen
dc.typeJournal Articleen
dc.identifier.doi10.1177/17416590241312156en
local.contributor.firstnameGlennen
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.emailgporter4@une.edu.auen
local.output.categoryC1en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.publisher.placeUnited Kingdomen
local.format.startpage1en
local.format.endpage16en
local.peerreviewedYesen
local.title.subtitleA photo-essay of antipodean colonisation, resistance and massacresen
local.contributor.lastnamePorteren
dc.identifier.staffune-id:gporter4en
local.profile.roleauthoren
local.identifier.unepublicationidune:1959.11/64651en
local.date.onlineversion2025-01-09-
dc.identifier.academiclevelAcademicen
local.title.maintitleOut of the shadowsen
local.output.categorydescriptionC1 Refereed Article in a Scholarly Journalen
local.search.authorPorter, Glennen
local.uneassociationYesen
local.atsiresearchYesen
local.sensitive.culturalNoen
local.year.available2025en
local.subject.for2020360604 Photography, video and lens-based practiceen
local.subject.for2020360104 Visual culturesen
local.subject.for2020450508 Aboriginal and Torres Strait Islander criminologyen
local.subject.seo2020130103 The creative artsen
local.subject.seo2020130703 Understanding Australia’s pasten
local.subject.seo2020130205 Visual communicationen
local.profile.affiliationtypeUNE Affiliationen
local.sensitive.attributesAssessors should be aware that this output contains content related to any of the following: violence, family or domestic violence, self-harm, sexual assault, suicide, family child removal, refugee experiences, war survivor experiences or other traumatic experiences that may be distressing or harmful to some people.en
Appears in Collections:Journal Article
School of Humanities, Arts and Social Sciences
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