Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/64651
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Porter, Glenn | en |
dc.date.accessioned | 2025-02-03T02:46:27Z | - |
dc.date.available | 2025-02-03T02:46:27Z | - |
dc.identifier.citation | Crime, Media, Culture, p. 1-16 | en |
dc.identifier.issn | 1741-6604 | en |
dc.identifier.issn | 1741-6590 | en |
dc.identifier.uri | https://hdl.handle.net/1959.11/64651 | - |
dc.description.abstract | <p>Landscape photography can be classic renditions of the natural environment within a picturesque tradition found in early English landscape paintings; however, culturally, it can also mean images of other types of environments involving humanity, including human interactions reminiscent of urbanscapes, industrial environments, cityscapes, sites of violent crime, engagement of war and others. Critically, landscape imagery within visual arts also functions within a rhetorical political context by forming concepts of national identity. While this photo-essay comprises of landscape images, the work is not about the landscape or the objects within the space framed by the camera. This work is about 'place' and the political and historical events that occurred at these sites. The places photographed in this work are an attempt to draw attention to the violence referred to as the frontier wars between the British military, settlers and Indigenous peoples during colonisation. The objective of the work is to enhance a contemporary consciousness and hopefully amend the collective historical narrative that suggests the British displacement and occupation of Aboriginal Nations was a peaceful transition. Australian history has a blind spot when it comes to the violence during this period that involved fierce resistance from the Indigenous people, the internment of families into missions and the hundreds of massacres by colonists across the entire country.</p> | en |
dc.language | en | en |
dc.publisher | Sage Publications Ltd | en |
dc.relation.ispartof | Crime, Media, Culture | en |
dc.title | Out of the shadows: A photo-essay of antipodean colonisation, resistance and massacres | en |
dc.type | Journal Article | en |
dc.identifier.doi | 10.1177/17416590241312156 | en |
local.contributor.firstname | Glenn | en |
local.profile.school | School of Humanities, Arts and Social Sciences | en |
local.profile.email | gporter4@une.edu.au | en |
local.output.category | C1 | en |
local.record.place | au | en |
local.record.institution | University of New England | en |
local.publisher.place | United Kingdom | en |
local.format.startpage | 1 | en |
local.format.endpage | 16 | en |
local.peerreviewed | Yes | en |
local.title.subtitle | A photo-essay of antipodean colonisation, resistance and massacres | en |
local.contributor.lastname | Porter | en |
dc.identifier.staff | une-id:gporter4 | en |
local.profile.role | author | en |
local.identifier.unepublicationid | une:1959.11/64651 | en |
local.date.onlineversion | 2025-01-09 | - |
dc.identifier.academiclevel | Academic | en |
local.title.maintitle | Out of the shadows | en |
local.output.categorydescription | C1 Refereed Article in a Scholarly Journal | en |
local.search.author | Porter, Glenn | en |
local.uneassociation | Yes | en |
local.atsiresearch | Yes | en |
local.sensitive.cultural | No | en |
local.year.available | 2025 | en |
local.subject.for2020 | 360604 Photography, video and lens-based practice | en |
local.subject.for2020 | 360104 Visual cultures | en |
local.subject.for2020 | 450508 Aboriginal and Torres Strait Islander criminology | en |
local.subject.seo2020 | 130103 The creative arts | en |
local.subject.seo2020 | 130703 Understanding Australia’s past | en |
local.subject.seo2020 | 130205 Visual communication | en |
local.profile.affiliationtype | UNE Affiliation | en |
local.sensitive.attributes | Assessors should be aware that this output contains content related to any of the following: violence, family or domestic violence, self-harm, sexual assault, suicide, family child removal, refugee experiences, war survivor experiences or other traumatic experiences that may be distressing or harmful to some people. | en |
Appears in Collections: | Journal Article School of Humanities, Arts and Social Sciences |
Files in This Item:
File | Size | Format |
---|
Items in Research UNE are protected by copyright, with all rights reserved, unless otherwise indicated.