Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/64631
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dc.contributor.authorHackett, Lisa Jen
dc.contributor.authorCoghlan, Joen
dc.date.accessioned2025-02-01T08:45:00Z-
dc.date.available2025-02-01T08:45:00Z-
dc.date.issued2025-01-22-
dc.identifier.citationThe Australasian Journal of Popular Culture, 13(2), p. 223-235en
dc.identifier.issn2045-5860en
dc.identifier.issn2045-5852en
dc.identifier.urihttps://hdl.handle.net/1959.11/64631-
dc.description.abstract<p>Perhaps it is apt that people who knit and sew are drawn to solving puzzles, including fictional and actual crimes. The word clew is an archaic spelling of our modern-day clue. It is derived from the old English cliwen or cleowen, meaning a ball of thread. It may also be a nod to the ball of yarn that Theseus used to escape from the minotaur’s labyrinth in Greek legend. Without his clew, Theseus would have no clue how to escape the labyrinth. Its modern-day association with detective work first began with Edgar Allen Poe’s detective C. Auguste Dupin who followed ‘clues’ to solve his crimes and was popularized by Arthur Conan Doyle’s Sherlock Holmes stories. In the past, and more recently fictional and reallife detectives follow clues to solve crimes, and many of them are crafty. This article considers how adaptative the mediums of knitting and sewing are when they are freed from their utilitarian or creative purpose and instead becomes a device to solve crimes.</p>en
dc.languageenen
dc.publisherIntellect Ltden
dc.relation.ispartofThe Australasian Journal of Popular Cultureen
dc.titleGive us a clew: Solving fictional crime through the adaptive popular mediums of knitting and sewingen
dc.typeJournal Articleen
dc.identifier.doi10.1386/ajpc_00100_1en
local.contributor.firstnameLisa Jen
local.contributor.firstnameJoen
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.emaillhacket4@une.edu.auen
local.profile.emailjcoghla3@une.edu.auen
local.output.categoryC1en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.publisher.placeUnited Kingdomen
local.format.startpage223en
local.format.endpage235en
local.peerreviewedYesen
local.identifier.volume13en
local.identifier.issue2en
local.title.subtitleSolving fictional crime through the adaptive popular mediums of knitting and sewingen
local.contributor.lastnameHacketten
local.contributor.lastnameCoghlanen
dc.identifier.staffune-id:lhacket4en
dc.identifier.staffune-id:jcoghla3en
local.profile.orcid0000-0002-0900-3078en
local.profile.orcid0000-0002-6361-6713en
local.profile.roleauthoren
local.profile.roleauthoren
local.identifier.unepublicationidune:1959.11/64631en
dc.identifier.academiclevelAcademicen
dc.identifier.academiclevelAcademicen
local.title.maintitleGive us a clewen
local.relation.fundingsourcenoteLisa is the co-founder (along with Dr Jo Coghlan and Huw Nolan) of PopCRN, the Popular Culture Research Network which brings together scholars and researchers who share a fascination in the academic inquiry into all manner of mass phenomenaen
local.output.categorydescriptionC1 Refereed Article in a Scholarly Journalen
local.search.authorHackett, Lisa Jen
local.search.authorCoghlan, Joen
local.open.fileurlhttps://rune.une.edu.au/web/retrieve/df0a5986-e850-4ae1-9efb-c4cc563404a7en
local.uneassociationYesen
local.atsiresearchNoen
local.sensitive.culturalNoen
local.year.published2025en
local.fileurl.openhttps://rune.une.edu.au/web/retrieve/df0a5986-e850-4ae1-9efb-c4cc563404a7en
local.fileurl.closedpublishedhttps://rune.une.edu.au/web/retrieve/df0a5986-e850-4ae1-9efb-c4cc563404a7en
local.subject.for20204410 Sociologyen
local.profile.affiliationtypeUNE Affiliationen
local.profile.affiliationtypeUNE Affiliationen
local.date.moved2025-02-03en
Appears in Collections:Journal Article
School of Humanities, Arts and Social Sciences
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