Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/64629
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dc.contributor.authorCoghlan, Joen
dc.contributor.authorHackett, Lisa Jen
dc.contributor.authorNolan, Huwen
dc.date.accessioned2025-02-01T08:44:56Z-
dc.date.available2025-02-01T08:44:56Z-
dc.date.issued2024-12-
dc.identifier.citationThe Australasian Journal of Popular Culture, 13(2), p. 119-124en
dc.identifier.issn2045-5860en
dc.identifier.issn2045-5852en
dc.identifier.urihttps://hdl.handle.net/1959.11/64629-
dc.description.abstract<p>Adaptations, reboots and remakes do not just extend the popular appeal of a work or artist; they can cause controversy as they reinterpret and reimagine original, often iconic texts. This can be further complicated by the feeling of ownership that artists and fans have over the original, and arguments over the definitive version or interpretation prevail or the failing of the adapted version to be mindful of the social or cultural norms of the era, as in the case of the 2022 television remake of the cult neo-noir film <i>American Gigolo</i> (1980). Adaptations can also insightfully reimage what came before it and in doing so bring new critical insights into the original text as well as expand its space and place in contemporary cultural readings with the recent iteration of <i>The Handmaid’s Tale</i> (2022–present) being a case in point.</p>en
dc.languageenen
dc.publisherIntellect Ltden
dc.relation.ispartofThe Australasian Journal of Popular Cultureen
dc.titleAdaptations, reboots and remakes in popular culture: Crime, noir, horror, heroes, beasts and bodiesen
dc.typeJournal Articleen
dc.identifier.doi10.1386/ajpc_00092_2en
local.contributor.firstnameJoen
local.contributor.firstnameLisa Jen
local.contributor.firstnameHuwen
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.emailjcoghla3@une.edu.auen
local.profile.emaillhacket4@une.edu.auen
local.profile.emailhnolan3@une.edu.auen
local.output.categoryC4en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.publisher.placeUnited Kingdomen
local.format.startpage119en
local.format.endpage124en
local.peerreviewedYesen
local.identifier.volume13en
local.identifier.issue2en
local.title.subtitleCrime, noir, horror, heroes, beasts and bodiesen
local.contributor.lastnameCoghlanen
local.contributor.lastnameHacketten
local.contributor.lastnameNolanen
dc.identifier.staffune-id:jcoghla3en
dc.identifier.staffune-id:lhacket4en
dc.identifier.staffune-id:hnolan3en
local.profile.orcid0000-0002-6361-6713en
local.profile.orcid0000-0002-0900-3078en
local.profile.orcid0000-0003-1712-8855en
local.profile.roleauthoren
local.profile.roleauthoren
local.profile.roleauthoren
local.identifier.unepublicationidune:1959.11/64629en
dc.identifier.academiclevelAcademicen
dc.identifier.academiclevelAcademicen
dc.identifier.academiclevelAcademicen
local.title.maintitleAdaptations, reboots and remakes in popular cultureen
local.relation.fundingsourcenoteJo, Lisa and Huw are the founding members and lead researchers at UNE’s Popular Culture Research Network, Australia’s leading research network in popular culture.en
local.output.categorydescriptionC4 Letter of Noteen
local.search.authorCoghlan, Joen
local.search.authorHackett, Lisa Jen
local.search.authorNolan, Huwen
local.open.fileurlhttps://rune.une.edu.au/web/retrieve/037abc09-1156-47bb-8f8a-c3e184d3b591en
local.uneassociationYesen
local.atsiresearchNoen
local.sensitive.culturalNoen
local.year.published2024en
local.fileurl.openhttps://rune.une.edu.au/web/retrieve/037abc09-1156-47bb-8f8a-c3e184d3b591en
local.fileurl.closedpublishedhttps://rune.une.edu.au/web/retrieve/037abc09-1156-47bb-8f8a-c3e184d3b591en
local.subject.for20204410 Sociologyen
local.profile.affiliationtypeUNE Affiliationen
local.profile.affiliationtypeUNE Affiliationen
local.profile.affiliationtypeUNE Affiliationen
local.date.moved2025-02-03en
Appears in Collections:Journal Article
School of Humanities, Arts and Social Sciences
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