Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/63730
Title: | Bendigo International Festival of Exploratory Music (BIFEM) 2015 |
Contributor(s): | Noble, Alistair (author) |
Publication Date: | 2016-01 |
Early Online Version: | 2015-12-07 |
DOI: | 10.1017/s0040298215000753 |
Handle Link: | https://hdl.handle.net/1959.11/63730 |
Abstract: | | Each September, contemporary music enthusiasts, composers, scholars and performers from around Australia migrate toward the Victorian regional city of Bendigo for BIFEM, a remarkable music festival now in its third year. The festival has established itself as an annual event of unparalleled significance in Australia – not only as a forum for the presentation of exciting and little-heard music, but as a gathering of like-minded peers. A high proportion of the audience consists of musicians and composers, so informal conversations between concerts are almost as stimulating as the programmed forums and workshops that take place during the festival. In 2015, over the weekend 4–6 September, almost every work in the programme was an Australian premiere, which gives some further evidence of the importance of the festival to the nation's cultural ecology.
Publication Type: | Journal Article |
Source of Publication: | Tempo (London. 1939), 70(275), p. 94-95 |
Publisher: | Cambridge University Press |
Place of Publication: | United Kingdom |
ISSN: | 1478-2286 0040-2982 |
Fields of Research (FoR) 2020: | 3603 Music |
HERDC Category Description: | C2 Non-Refereed Article in a Scholarly Journal |
Appears in Collections: | Journal Article School of Humanities, Arts and Social Sciences
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