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https://hdl.handle.net/1959.11/61117
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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Coghlan, Jo | en |
dc.contributor.author | Hackett, Lisa J | en |
dc.contributor.author | Nolan, Huw | en |
dc.date.accessioned | 2024-07-02T03:54:15Z | - |
dc.date.available | 2024-07-02T03:54:15Z | - |
dc.date.issued | 2024-04-12 | - |
dc.identifier.citation | M/C Journal, v.27 (3) | en |
dc.identifier.issn | 1441-2616 | en |
dc.identifier.uri | https://hdl.handle.net/1959.11/61117 | - |
dc.description.abstract | <p>The story of Barbie is a tapestry woven with threads of cultural significance, societal shifts, and corporate narratives. It's a tale that encapsulates the evolution of American post-war capitalism, mirroring the changing tides of social norms, aspirations, and identities. Barbie's journey from Germany to Los Angeles, along the way becoming a global icon, is a testament to the power of Ruth Handler's vision and Barbie's marketing. Barbie embodies and reflects the rise of mass consumption and the early days of television advertising, where one doll could become a household name and shape the dreams of children worldwide.</p> <p>The controversies and criticisms surrounding Barbie – from promoting a 'thin ideal' to perpetuating gender and racial stereotypes – highlight the complexities of representation in popular culture. Yet, Barbie's enduring message, "You can be anything", continues to inspire and empower, even as it evolves to embrace a more inclusive and diverse portrayals of power, beauty, and potential. Barbie's story is not just about a doll" it's about the aspirations she represents, the societal changes she's witnessed, and the ongoing conversation about her impact on gender roles, body image, and consumer culture. It's a narrative that continues to unfold, as Barbie adapts to the times and remains a symbol of possibility.</p> | en |
dc.language | en | en |
dc.publisher | Queensland University of Technology * Creative Industries Faculty | en |
dc.relation.ispartof | M/C Journal | en |
dc.rights | Attribution-NoDerivatives 4.0 International | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nd/4.0/ | * |
dc.title | Barbie: Imagining and Interrogating a Popular Culture Icon | en |
dc.type | Journal Article | en |
dc.identifier.doi | 10.5204/mcj.3072 | en |
dcterms.accessRights | UNE Green | en |
local.contributor.firstname | Jo | en |
local.contributor.firstname | Lisa J | en |
local.contributor.firstname | Huw | en |
local.profile.school | School of Humanities, Arts and Social Sciences | en |
local.profile.school | School of Humanities, Arts and Social Sciences | en |
local.profile.school | School of Humanities, Arts and Social Sciences | en |
local.profile.email | jcoghla3@une.edu.au | en |
local.profile.email | lhacket4@une.edu.au | en |
local.profile.email | hnolan3@une.edu.au | en |
local.output.category | C4 | en |
local.record.place | au | en |
local.record.institution | University of New England | en |
local.publisher.place | Brisbane, Australia | en |
local.peerreviewed | Yes | en |
local.identifier.volume | 27 | en |
local.identifier.issue | 3 | en |
local.title.subtitle | Imagining and Interrogating a Popular Culture Icon | en |
local.access.fulltext | Yes | en |
local.contributor.lastname | Coghlan | en |
local.contributor.lastname | Hackett | en |
local.contributor.lastname | Nolan | en |
dc.identifier.staff | une-id:jcoghla3 | en |
dc.identifier.staff | une-id:lhacket4 | en |
dc.identifier.staff | une-id:hnolan3 | en |
local.profile.orcid | 0000-0002-6361-6713 | en |
local.profile.orcid | 0000-0002-0900-3078 | en |
local.profile.orcid | 0000-0003-1712-8855 | en |
local.profile.role | author | en |
local.profile.role | author | en |
local.identifier.unepublicationid | une:1959.11/61117 | en |
dc.identifier.academiclevel | Academic | en |
dc.identifier.academiclevel | Academic | en |
local.title.maintitle | Barbie | en |
local.output.categorydescription | C4 Letter of Note | en |
local.search.author | Coghlan, Jo | en |
local.search.author | Hackett, Lisa J | en |
local.open.fileurl | https://rune.une.edu.au/web/retrieve/808ff616-5724-4a5d-962f-f8e0656b4611 | en |
local.uneassociation | Yes | en |
local.atsiresearch | No | en |
local.sensitive.cultural | No | en |
local.year.published | 2024 | en |
local.fileurl.open | https://rune.une.edu.au/web/retrieve/808ff616-5724-4a5d-962f-f8e0656b4611 | en |
local.fileurl.openpublished | https://rune.une.edu.au/web/retrieve/808ff616-5724-4a5d-962f-f8e0656b4611 | en |
local.subject.for2020 | 470204 Cultural and creative industries | en |
local.subject.for2020 | 441008 Sociology of culture | en |
local.subject.seo2020 | 280113 Expanding knowledge in history, heritage and archaeology | en |
local.profile.affiliationtype | UNE Affiliation | en |
local.profile.affiliationtype | UNE Affiliation | en |
local.profile.affiliationtype | Unknown | en |
Appears in Collections: | Journal Article School of Humanities, Arts and Social Sciences |
Files in This Item:
File | Description | Size | Format | |
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openpublished/BarbieCoghlanHackettNolan2024JournalArticle.pdf | Published version | 11.8 MB | Adobe PDF Download Adobe | View/Open |
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