Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/59483
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dc.contributor.authorHackett, Lisa Jen
dc.contributor.authorCoghlan, Joen
dc.date.accessioned2024-05-20T02:22:02Z-
dc.date.available2024-05-20T02:22:02Z-
dc.date.issued2024-05-17-
dc.identifier.citationThe Conversation, p. 1-5en
dc.identifier.issn2044-5032en
dc.identifier.urihttps://hdl.handle.net/1959.11/59483-
dc.description.abstract<p>Bridgerton watchers started questioning the show’s historical authenticity (again) even before the third season landed. But does historical accuracy actually matter?</p> <p>Based on the book series by Julia Quinn, Bridgerton is set around the eight Bridgerton siblings, each with their own romance. Romance is the powerhouse of the publishing industry: 19 million romance books were sold in 2022 – over 40% more than the previous year.</p> <p>We surveyed almost 1,000 readers and writers of historical romance novels from around the world, in 2019 and again in 2023. We asked them what makes a historical romance novel authentic – and does accuracy matter?</p> <p>Overall, writers were more concerned than readers about historical accuracy. On average, writers’ total scores for requiring accuracy were 4% higher than readers, whose range was wider. Many readers scored accuracy as low as 0 out of 5 as a requirement – but no writer scored accuracy lower than 3 out of 5.</p> <p>Authors emphasised their own research. Their answers included “It has to be accurate, I research all of my historical knowledge” and “I do a lot of research to make that happen. Research is ongoing.”</p>en
dc.languageenen
dc.publisherThe Conversation Paperpress Ltden
dc.relation.ispartofThe Conversationen
dc.rightsAttribution-NoDerivatives 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by-nd/4.0/*
dc.titleBridgerton is a progressive fantasy about the past. Do romance readers care about its historical accuracy?en
dc.typeJournal Articleen
dcterms.accessRightsUNE Greenen
local.contributor.firstnameLisa Jen
local.contributor.firstnameJoen
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.emaillhacket4@une.edu.auen
local.profile.emailjcoghla3@une.edu.auen
local.output.categoryC3en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.publisher.placeUnited Kingdomen
local.format.startpage1en
local.format.endpage5en
local.access.fulltextYesen
local.contributor.lastnameHacketten
local.contributor.lastnameCoghlanen
dc.identifier.staffune-id:lhacket4en
dc.identifier.staffune-id:jcoghla3en
local.profile.orcid0000-0002-0900-3078en
local.profile.orcid0000-0002-6361-6713en
local.profile.roleauthoren
local.identifier.unepublicationidune:1959.11/59483en
dc.identifier.academiclevelAcademicen
local.title.maintitleBridgerton is a progressive fantasy about the past. Do romance readers care about its historical accuracy?en
local.relation.fundingsourcenoteUniversity of New England provides funding as a member of The Conversation AU.en
local.output.categorydescriptionC3 Non-Refereed Article in a Professional Journalen
local.relation.urlhttps://theconversation.com/bridgerton-is-a-progressive-fantasy-about-the-past-do-romance-readers-care-about-its-historical-accuracy-222880en
local.search.authorHackett, Lisa Jen
local.open.fileurlhttps://rune.une.edu.au/web/retrieve/69d88df8-37a6-4451-9a31-c830c471c390en
local.uneassociationYesen
local.atsiresearchNoen
local.sensitive.culturalNoen
local.year.published2024en
local.fileurl.openhttps://rune.une.edu.au/web/retrieve/69d88df8-37a6-4451-9a31-c830c471c390en
local.fileurl.openpublishedhttps://rune.une.edu.au/web/retrieve/69d88df8-37a6-4451-9a31-c830c471c390en
local.subject.for2020441008 Sociology of cultureen
local.subject.seo2020230112 Social class and inequalitiesen
local.profile.affiliationtypeUNE Affiliationen
Appears in Collections:Journal Article
School of Humanities, Arts and Social Sciences
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