Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/58874
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dc.contributor.authorClark, Jenniferen
dc.contributor.authorNye, Adeleen
dc.date.accessioned2024-05-02T01:31:03Z-
dc.date.available2024-05-02T01:31:03Z-
dc.identifier.citationCurator, p. 1-14en
dc.identifier.issn2151-6952en
dc.identifier.issn0011-3069en
dc.identifier.urihttps://hdl.handle.net/1959.11/58874-
dc.description.abstract<p>The museum space is continually evolving and, not surprisingly, we have seen significant and rapid expansion in both digitized records and online exhibitions, especially since the COVID-19 pandemic of 2020–2023. In this article we examine three comparable museum collections of tokens of love and loss in the Foundling Museum in London, the Museo degli Innocenti in Florence, and the National Museum of Australia in Canberra. Using a case study approach as visitor-researchers, we explore how post-qualitative theories speak to the affective experience of museums in the physical and the virtual space. We ask if the online visitor experience can be imbued with affective possibilities and, if so, how might they be maximized to best support, replicate, or replace an in-person museum experience.</p>en
dc.languageenen
dc.publisherWiley-Blackwell Publishing, Incen
dc.relation.ispartofCuratoren
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.titleTokens of love and loss: Plugging into the affective entanglements of online museum spaces exhibiting tokens of love and loss at the Foundling Museum, London; Museo degli Innocenti, Florence; National Museum of Australia, Canberraen
dc.typeJournal Articleen
dc.identifier.doi10.1111/cura.12623en
dcterms.accessRightsUNE Greenen
local.contributor.firstnameJenniferen
local.contributor.firstnameAdeleen
local.profile.schoolSchool of Humanitiesen
local.profile.schoolSchool of Educationen
local.profile.emailjclark1@une.edu.auen
local.profile.emailanye@une.edu.auen
local.output.categoryC1en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.publisher.placeUnited State of Americaen
local.format.startpage1en
local.format.endpage14en
local.peerreviewedYesen
local.title.subtitlePlugging into the affective entanglements of online museum spaces exhibiting tokens of love and loss at the Foundling Museum, London; Museo degli Innocenti, Florence; National Museum of Australia, Canberraen
local.access.fulltextYesen
local.contributor.lastnameClarken
local.contributor.lastnameNyeen
dc.identifier.staffune-id:jclark1en
dc.identifier.staffune-id:anyeen
local.profile.roleauthoren
local.identifier.unepublicationidune:1959.11/58874en
local.date.onlineversion2024-05-01-
dc.identifier.academiclevelAcademicen
local.title.maintitleTokens of love and lossen
local.relation.fundingsourcenoteUniversity of Adelaide; University of New Englanden
local.output.categorydescriptionC1 Refereed Article in a Scholarly Journalen
local.search.authorClark, Jenniferen
local.uneassociationYesen
local.atsiresearchNoen
local.sensitive.culturalNoen
local.year.available2024en
local.subject.for2020390202 History and philosophy of educationen
local.subject.for2020430206 Heritage collections and interpretationsen
local.subject.for2020430204 Digital heritageen
local.subject.seo2020160104 Professional development and adult educationen
local.subject.seo2020130402 Conserving collections and movable cultural heritageen
local.subject.seo2020130101 Designen
local.profile.affiliationtypeExternal Affiliationen
Appears in Collections:Journal Article
School of Education
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