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https://hdl.handle.net/1959.11/57567Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Torello-Hill, Giulia | en |
| dc.date.accessioned | 2024-01-29T06:53:00Z | - |
| dc.date.available | 2024-01-29T06:53:00Z | - |
| dc.date.issued | 2024-06 | - |
| dc.identifier.citation | Renaissance Studies, 38(3), p. 416-434 | en |
| dc.identifier.uri | https://hdl.handle.net/1959.11/57567 | - |
| dc.description.abstract | <p>Luis Alfonso de Carvallo in his dialogue <i>Cisne de Apollo</i> (Apollo's swan, 1602) has the allegorical character Lectura (Reading) respond to Zoilo's dis-missive comment on the role of comedy with a powerful statement: 'comedy is an imitation of life, a mirror of customs and an image of truth' (<i>la comedia es una imitación de la vida, espejo de costumbres, imagen de verdad</i>).<sup>1</sup> This quote is attributed to Cicero but only known to us through the fifth- century treatise <i>De comoedia</i> (On comedy) by grammarians Donatus and Euanthius.<sup>2</sup> It elaborates the concept of verisimilitude that is inherent to the comic genre and essential in triggering an emotional response in the audience.</p> | en |
| dc.language | en | en |
| dc.publisher | Wiley-Blackwell Publishing Ltd | en |
| dc.relation.ispartof | Renaissance Studies | en |
| dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 International | * |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
| dc.title | The role of the Praenotamenta of Jodocus Badius Ascensius in shaping early modern dramatic criticism | en |
| dc.type | Journal Article | en |
| dc.identifier.doi | 10.1111/rest.12904 | en |
| dcterms.accessRights | UNE Green | en |
| local.contributor.firstname | Giulia | en |
| local.profile.school | School of Humanities, Arts and Social Sciences | en |
| local.profile.email | gtorello@une.edu.au | en |
| local.output.category | C1 | en |
| local.record.place | au | en |
| local.record.institution | University of New England | en |
| local.publisher.place | London, United Kingdom | en |
| local.format.startpage | 416 | en |
| local.format.endpage | 434 | en |
| local.identifier.volume | 38 | en |
| local.identifier.issue | 3 | en |
| local.access.fulltext | Yes | en |
| local.contributor.lastname | Torello-Hill | en |
| dc.identifier.staff | une-id:gtorello | en |
| local.profile.orcid | 0000-0001-8601-2536 | en |
| local.profile.role | author | en |
| local.identifier.unepublicationid | une:1959.11/57567 | en |
| local.date.onlineversion | 2023-11-20 | - |
| dc.identifier.academiclevel | Academic | en |
| local.title.maintitle | The role of the Praenotamenta of Jodocus Badius Ascensius in shaping early modern dramatic criticism | en |
| local.output.categorydescription | C1 Refereed Article in a Scholarly Journal | en |
| local.search.author | Torello-Hill, Giulia | en |
| local.open.fileurl | https://rune.une.edu.au/web/retrieve/aad8ddf3-69c3-4bc5-a2a4-4bffe31dd640 | en |
| local.uneassociation | Yes | en |
| local.atsiresearch | No | en |
| local.sensitive.cultural | No | en |
| local.year.available | 2023 | en |
| local.year.published | 2024 | en |
| local.fileurl.open | https://rune.une.edu.au/web/retrieve/aad8ddf3-69c3-4bc5-a2a4-4bffe31dd640 | en |
| local.fileurl.openpublished | https://rune.une.edu.au/web/retrieve/aad8ddf3-69c3-4bc5-a2a4-4bffe31dd640 | en |
| local.subject.for2020 | 470513 Latin and classical Greek literature | en |
| local.subject.seo2020 | 130203 Literature | en |
| local.profile.affiliationtype | UNE Affiliation | en |
| Appears in Collections: | Journal Article School of Humanities, Arts and Social Sciences | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| openpublished/TheRoleTorelloHill2024JournalArticle.pdf | Published Version | 110.56 kB | Adobe PDF Download Adobe | View/Open |
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