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Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/53299
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DC FieldValueLanguage
dc.contributor.authorFinch-Race, Danielen
dc.contributor.authorGosetti, Valentinaen
dc.date.accessioned2022-09-05T01:34:30Z-
dc.date.available2022-09-05T01:34:30Z-
dc.date.issued2022-05-11-
dc.identifier.citationRevue Bertrand (5), p. 17-32en
dc.identifier.issn2610-7171en
dc.identifier.issn2649-2644en
dc.identifier.urihttps://hdl.handle.net/1959.11/53299-
dc.description.abstractCet article explore écopoétiquement « Le Maçon », une des fantaisies les plus connues de Gaspard de la Nuit, dans une étude comparative avec les poèmes de Poncy (Marines, 1842, Le Chantier, 1844), Ségalas (Nos bons Parisiens, 1864) et Blanchecotte (Les Militantes, 1875). Le maçon, quelque part entre modeste artisan et puissant démiurge-démolisseur, est ici considéré comme une figure de la création et de la destruction du paysage urbain du xixe siècle, et comme un acteur essentiel du progrès.en
dc.languagefren
dc.publisherClassiques Garnieren
dc.relation.ispartofRevue Bertranden
dc.titleDémiurges ou démolisseurs ?: Lecture écopoétique des maçons de Bertrand, Blanchecotte, Poncy et Ségalasen
dc.typeJournal Articleen
dc.identifier.doi10.48611/isbn.978-2-406-13171-7.p.0017en
local.contributor.firstnameDanielen
local.contributor.firstnameValentinaen
local.relation.isfundedbyARCen
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.emailvgosetti@une.edu.auen
local.output.categoryC1en
local.grant.numberDE200101206en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.publisher.placeFranceen
local.format.startpage17en
local.format.endpage32en
local.peerreviewedYesen
local.identifier.issue5en
local.title.subtitleLecture écopoétique des maçons de Bertrand, Blanchecotte, Poncy et Ségalasen
local.access.fulltextYesen
local.contributor.lastnameFinch-Raceen
local.contributor.lastnameGosettien
dc.title.translatedDemiurges or Demolishers?: An Ecopoetic Analysis of Stonemasons in Bertrand, Blanchecotte, Poncy, and Ségalasen
dc.identifier.staffune-id:vgosettien
local.booktitle.translatedBertrand Reviewen
local.profile.orcid0000-0001-5896-9146en
local.profile.roleauthoren
local.profile.roleauthoren
local.identifier.unepublicationidune:1959.11/53299en
dc.identifier.academiclevelAcademicen
dc.identifier.academiclevelAcademicen
local.abstract.englishThis article is an ecopoetic exploration of "Le Maçon", one of Gaspard de la Nuit's best-known compositions. We propose a comparative encounter with the poems of Poncy (Marines, 1842, Le Chantier, 1844), Ségalas (Nos bons Parisiens, 1864) and Blanchecotte (Les Militantes, 1875). The mason, somewhere between a modest worker and a powerful demiurge-demolisher, is here understood as a key figure in the creation and destruction of nineteenth-century urban landscapes and as an essential agent in humanity's progress.en
local.title.maintitleDémiurges ou démolisseurs ?en
local.output.categorydescriptionC1 Refereed Article in a Scholarly Journalen
local.relation.grantdescriptionARC/DE200101206en
local.search.authorFinch-Race, Danielen
local.search.authorGosetti, Valentinaen
local.uneassociationYesen
local.atsiresearchNoen
local.sensitive.culturalNoen
local.year.published2022en
local.fileurl.closedpublishedhttps://rune.une.edu.au/web/retrieve/f0cd634f-a172-408c-95af-eff2f16e7a23en
local.subject.for2020470516 Literature in Frenchen
local.subject.seo2020130203 Literatureen
local.subject.seo2020130704 Understanding Europe’s pasten
local.subject.seo2020130202 Languages and linguisticsen
local.profile.affiliationtypeUnknownen
local.profile.affiliationtypeUnknownen
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School of Humanities, Arts and Social Sciences
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