Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/51465
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Jacobs, Brendan | en |
dc.contributor.author | Wright, Susan | en |
dc.contributor.author | Reynolds, Nick | en |
dc.date.accessioned | 2022-03-25T01:38:48Z | - |
dc.date.available | 2022-03-25T01:38:48Z | - |
dc.date.issued | 2017 | - |
dc.identifier.citation | Mind, Culture, and Activity, 24(4), p. 297-310 | en |
dc.identifier.issn | 1532-7884 | en |
dc.identifier.issn | 1074-9039 | en |
dc.identifier.uri | https://hdl.handle.net/1959.11/51465 | - |
dc.description.abstract | <p>This article explores the relationship between <i>abstract</i> and <i>concrete</i> as categories of knowledge and Wilensky's (1991) theory that all ideas are abstract until they become concrete. Dewey (1910/1997) made a similar claim by suggesting that ideas are initially beyond our comprehension until they have become consolidated. This article documents the evolving mental models of 11- and 12-year-old children as they designed and made explanatory animations for the sake of their own learning. The conclusion from this research is that transferring ideas from thought to word, word to image, or transmediation of any kind, is a semiotic tool for cross-modal cognition.</p> | en |
dc.language | en | en |
dc.publisher | Routledge | en |
dc.relation.ispartof | Mind, Culture, and Activity | en |
dc.title | Reevaluating the Concrete-Explanatory Animation Creation as a Digital Catalyst for Cross-Modal Cognition | en |
dc.type | Journal Article | en |
dc.identifier.doi | 10.1080/10749039.2017.1294181 | en |
local.contributor.firstname | Brendan | en |
local.contributor.firstname | Susan | en |
local.contributor.firstname | Nick | en |
local.profile.school | School of Education | en |
local.profile.email | bjacobs7@une.edu.au | en |
local.output.category | C1 | en |
local.record.place | au | en |
local.record.institution | University of New England | en |
local.publisher.place | United States of America | en |
local.format.startpage | 297 | en |
local.format.endpage | 310 | en |
local.identifier.scopusid | 85015712507 | en |
local.peerreviewed | Yes | en |
local.identifier.volume | 24 | en |
local.identifier.issue | 4 | en |
local.contributor.lastname | Jacobs | en |
local.contributor.lastname | Wright | en |
local.contributor.lastname | Reynolds | en |
dc.identifier.staff | une-id:bjacobs7 | en |
local.profile.orcid | 0000-0002-1848-9356 | en |
local.profile.role | author | en |
local.profile.role | author | en |
local.profile.role | author | en |
local.identifier.unepublicationid | une:1959.11/51465 | en |
local.date.onlineversion | 2017-03-20 | - |
dc.identifier.academiclevel | Academic | en |
dc.identifier.academiclevel | Academic | en |
dc.identifier.academiclevel | Academic | en |
local.title.maintitle | Reevaluating the Concrete-Explanatory Animation Creation as a Digital Catalyst for Cross-Modal Cognition | en |
local.output.categorydescription | C1 Refereed Article in a Scholarly Journal | en |
local.search.author | Jacobs, Brendan | en |
local.search.author | Wright, Susan | en |
local.search.author | Reynolds, Nick | en |
local.uneassociation | No | en |
local.atsiresearch | No | en |
local.sensitive.cultural | No | en |
local.identifier.wosid | 000417627200003 | en |
local.year.available | 2017 | en |
local.year.published | 2017 | en |
local.fileurl.closedpublished | https://rune.une.edu.au/web/retrieve/7bff134f-a6a5-43f6-a82c-8073c793922f | en |
local.subject.for2020 | 390102 Curriculum and pedagogy theory and development | en |
local.subject.for2020 | 390304 Primary education | en |
local.subject.seo2020 | 160304 Teaching and instruction technologies | en |
local.subject.seo2020 | 160103 Primary education | en |
Appears in Collections: | Journal Article School of Education |
Files in This Item:
File | Size | Format |
---|
SCOPUSTM
Citations
2
checked on Jan 18, 2025
Page view(s)
1,176
checked on May 26, 2024
Download(s)
4
checked on May 26, 2024
Items in Research UNE are protected by copyright, with all rights reserved, unless otherwise indicated.