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https://hdl.handle.net/1959.11/481| Title: | No Conceivable Hope: The Symbolic Function of Medusa, Clio, and the 'Fee' in Gunter Kunert's Work | Contributor(s): | Dunne, K (author) | Publication Date: | 2003 | Handle Link: | https://hdl.handle.net/1959.11/481 | Abstract: | The role of women and heterosexual themes in Kunert's work has received scant critical attention. Klaus Werner refers briefly to the love poems in Kunert's early collection Das kreuzbrave Liederbuch (1961), but does not mention sexuality (66). Horst Haase commends Kunert for depicting (hetero)sexual love and sensuality in Unschuld der Natur (1966) in a way that reflects socialist experience (1279), and Marieluise de Waijer-Wilke mentions that Kunert has written on the topic of (hetero)sexual love in Fremd daheim (1990) but does not elaborate further (890). | Publication Type: | Journal Article | Source of Publication: | The German Quarterly, 76(2), p. 155-167 | Publisher: | Wiley-Blackwell Publishing, Inc | Place of Publication: | United States of America | ISSN: | 0016-8831 | Fields of Research (FoR) 2008: | 200512 Literature in German | Peer Reviewed: | Yes | HERDC Category Description: | C1 Refereed Article in a Scholarly Journal | Publisher/associated links: | http://www.blackwellpublishing.com/journal.asp?ref=0016-8831&site=1 http://www.jstor.org/stable/3252172 |
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| Appears in Collections: | Journal Article School of Humanities, Arts and Social Sciences |
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