Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/31193
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Hopgood, Fincina | en |
dc.date.accessioned | 2021-08-02T00:41:00Z | - |
dc.date.available | 2021-08-02T00:41:00Z | - |
dc.date.issued | 2003-06-25 | - |
dc.identifier.citation | Screening the Past, v.15, p. 1-3 | en |
dc.identifier.issn | 1328-9756 | en |
dc.identifier.uri | https://hdl.handle.net/1959.11/31193 | - |
dc.description.abstract | <i>Third Take</i> is a valuable historical resource and an insight into contemporary filmmaking both in Australia and overseas. This is the second instalment in Raffaele Caputo and Geoff Burton's series of Australian film-makers "talking", based on the model of John Boorman's Projections series. In their first volume, <i>Second Take</i>, Caputo and Burton presented a series of essays, interviews and previously-published articles that profiled, or gave voice to, a dozen Australian directors, including Gillian Armstrong and Jane Campion. One of the improvements of <i>Third Take</i> is its diversification of the label "film-makers" to include contributions from three cinematographers (John Seale, Don McAlpine, Vince Monton), one actor (Bill Hunter), one producer (David Elfick), and one scriptwriter (Bob Ellis), as well as six directors (Phillip Noyce, Peter Weir, Rolf de Heer, Andrew Dominik, Curtis Levy and Dennis O'Rourke, who is interviewed by Martha Ansara) plus a reprint from Ken G. Hall's <i>Australian Film: The Inside Story</i>. The need for dialogue and insight into the film-making craft, identified by the editors in their introduction to <i>Second Take</i> (6), is answered in <i>Third Take</i> by this inclusion of craftsmen [they are all men] other than the director, an important corrective to the auteurist preoccupations of academic criticism. | en |
dc.language | en | en |
dc.publisher | La Trobe University | en |
dc.relation.ispartof | Screening the Past | en |
dc.title | Third Take: Australian Film-makers Talk | en |
dc.type | Review | en |
dcterms.accessRights | Bronze | en |
local.contributor.firstname | Fincina | en |
local.profile.school | School of Humanities, Arts and Social Sciences | en |
local.profile.email | fhopgood@une.edu.au | en |
local.output.category | D3 | en |
local.record.place | au | en |
local.record.institution | University of New England | en |
local.publisher.place | Australia | en |
local.format.startpage | 1 | en |
local.format.endpage | 3 | en |
local.url.open | http://www.screeningthepast.com/issue-15-reviews/third-take-australian-film-makers-talk/ | en |
local.identifier.volume | 15 | en |
local.title.subtitle | Australian Film-makers Talk | en |
local.access.fulltext | Yes | en |
local.contributor.lastname | Hopgood | en |
dc.identifier.staff | une-id:fhopgood | en |
local.profile.orcid | 0000-0003-1505-9956 | en |
local.profile.role | author | en |
local.identifier.unepublicationid | une:1959.11/31193 | en |
dc.identifier.academiclevel | Academic | en |
local.title.maintitle | Third Take | en |
local.output.categorydescription | D3 Review of Single Work | en |
local.search.author | Hopgood, Fincina | en |
local.uneassociation | No | en |
local.atsiresearch | No | en |
local.sensitive.cultural | No | en |
local.year.published | 2003 | en |
local.fileurl.closedpublished | https://rune.une.edu.au/web/retrieve/13d1bbdc-e302-4705-80b0-1c90a2d43649 | en |
local.subject.for2020 | 360201 Creative writing (incl. scriptwriting) | en |
local.subject.for2020 | 470204 Cultural and creative industries | en |
local.subject.seo2020 | 130703 Understanding Australia’s past | en |
local.subject.seo2020 | 130103 The creative arts | en |
Appears in Collections: | Review School of Humanities, Arts and Social Sciences |
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