Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/31111Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Hopgood, Fincina | en |
| dc.date.accessioned | 2021-07-26T01:41:35Z | - |
| dc.date.available | 2021-07-26T01:41:35Z | - |
| dc.date.issued | 2006-01 | - |
| dc.identifier.citation | Metro (149), p. 142-147 | en |
| dc.identifier.issn | 0312-2654 | en |
| dc.identifier.uri | https://hdl.handle.net/1959.11/31111 | - |
| dc.description.abstract | Water (2005), the final instalment in Deepa Mehta's 'elemental trilogy', has had in the director's own words, a tumultuous birth. It has taken five years for this third film in the series, following Fire (1996) and Earth (1998), to reach the screen, and it is described as 'one of the most turbulent experiences in filmmaking history'. Water represents the maturation of Mehta as a director capable of marrying political filmmaking with melodrama in order to harness the power of emotional engagement for consciousness-raising. | en |
| dc.language | en | en |
| dc.publisher | Australian Teachers of Media, Inc | en |
| dc.relation.ispartof | Metro | en |
| dc.title | The Politics of Melodrama in Deepa Mehta's 'Water' | en |
| dc.type | Review | en |
| local.contributor.firstname | Fincina | en |
| local.profile.school | School of Humanities, Arts and Social Sciences | en |
| local.profile.email | fhopgood@une.edu.au | en |
| local.output.category | D3 | en |
| local.record.place | au | en |
| local.record.institution | University of New England | en |
| local.publisher.place | Australia | en |
| local.format.startpage | 142 | en |
| local.format.endpage | 147 | en |
| local.identifier.issue | 149 | en |
| local.contributor.lastname | Hopgood | en |
| dc.identifier.staff | une-id:fhopgood | en |
| local.profile.orcid | 0000-0003-1505-9956 | en |
| local.profile.role | author | en |
| local.identifier.unepublicationid | une:1959.11/31111 | en |
| dc.identifier.academiclevel | Academic | en |
| local.title.maintitle | The Politics of Melodrama in Deepa Mehta's 'Water' | en |
| local.output.categorydescription | D3 Review of Single Work | en |
| local.relation.url | https://search.informit.org/doi/10.3316/ielapa.183981365416632 | en |
| local.search.author | Hopgood, Fincina | en |
| local.uneassociation | No | en |
| local.atsiresearch | No | en |
| local.sensitive.cultural | No | en |
| local.year.available | 2006 | en |
| local.year.published | 2006 | en |
| local.fileurl.closedpublished | https://rune.une.edu.au/web/retrieve/c3eab0c9-a759-4e1d-98e7-3f2a5194dc57 | en |
| local.subject.for2020 | 360501 Cinema studies | en |
| local.subject.for2020 | 470214 Screen and media culture | en |
| local.subject.seo2020 | 130103 The creative arts | en |
| local.subject.seo2020 | 130204 The media | en |
| Appears in Collections: | Review School of Humanities, Arts and Social Sciences | |
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