Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/31060
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Hopgood, Fincina | en |
dc.date.accessioned | 2021-07-19T04:54:29Z | - |
dc.date.available | 2021-07-19T04:54:29Z | - |
dc.date.issued | 2019-03-01 | - |
dc.identifier.citation | The Australasian Journal of Popular Culture, 8(1), p. 85-100 | en |
dc.identifier.issn | 2045-5860 | en |
dc.identifier.issn | 2045-5852 | en |
dc.identifier.uri | https://hdl.handle.net/1959.11/31060 | - |
dc.description.abstract | Examining the global media controversy and debates surrounding the first season of the Netflix series <i>13 Reasons Why</i> (2017-present), this article focuses on the Australian context and identifies key issues in these debates through a discussion of current media guidelines for responsible portrayals of mental illness and suicide. The article presents a survey of media and academic responses to <i>13 Reasons Why</i>, including contributions from people with a lived experience of mental illness and suicide. It argues that the way forward for screen portrayals of mental illness and suicide is for screen producers to collaborate with mental health organizations in the development and exhibition of these stories. | en |
dc.language | en | en |
dc.publisher | Intellect Ltd | en |
dc.relation.ispartof | The Australasian Journal of Popular Culture | en |
dc.title | 13 Reasons Why and Netflix's commercial imperative: Disrupting screen portrayals of mental illness and suicide in Australia | en |
dc.type | Journal Article | en |
dc.identifier.doi | 10.1386/ajpc.8.1.85_1 | en |
local.contributor.firstname | Fincina | en |
local.profile.school | School of Humanities, Arts and Social Sciences | en |
local.profile.email | fhopgood@une.edu.au | en |
local.output.category | C1 | en |
local.record.place | au | en |
local.record.institution | University of New England | en |
local.publisher.place | United Kingdom | en |
local.format.startpage | 85 | en |
local.format.endpage | 100 | en |
local.peerreviewed | Yes | en |
local.identifier.volume | 8 | en |
local.identifier.issue | 1 | en |
local.title.subtitle | Disrupting screen portrayals of mental illness and suicide in Australia | en |
local.contributor.lastname | Hopgood | en |
dc.identifier.staff | une-id:fhopgood | en |
local.profile.orcid | 0000-0003-1505-9956 | en |
local.profile.role | author | en |
local.identifier.unepublicationid | une:1959.11/31060 | en |
dc.identifier.academiclevel | Academic | en |
local.title.maintitle | 13 Reasons Why and Netflix's commercial imperative | en |
local.output.categorydescription | C1 Refereed Article in a Scholarly Journal | en |
local.search.author | Hopgood, Fincina | en |
local.uneassociation | Yes | en |
local.atsiresearch | No | en |
local.sensitive.cultural | No | en |
local.year.published | 2019 | en |
local.fileurl.closedpublished | https://rune.une.edu.au/web/retrieve/795ab276-d63f-41c6-9387-d5aef92f6324 | en |
local.subject.for2020 | 360505 Screen media | en |
local.subject.for2020 | 470531 Young adult literature | en |
local.subject.for2020 | 470214 Screen and media culture | en |
local.subject.seo2020 | 130204 The media | en |
local.subject.seo2020 | 200409 Mental health | en |
local.subject.seo2020 | 220502 Internet, digital and social media | en |
Appears in Collections: | Journal Article School of Humanities, Arts and Social Sciences |
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