Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/30991
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dc.contributor.authorTorello Hill, Giuliaen
dc.date.accessioned2021-07-09T01:16:10Z-
dc.date.available2021-07-09T01:16:10Z-
dc.date.issued2010-11-
dc.identifier.citationLa Rivista di Engramma, v.85, p. 4-10en
dc.identifier.issn1826-901Xen
dc.identifier.urihttps://hdl.handle.net/1959.11/30991-
dc.description.abstractIl contributo di Ercole I, duca di Ferrara (1471-1505) alla riscoperta e rappresentazione delle commedie classiche di Plauto e Terenzio è stato ampiamente riconosciuto dalla critica. A Ferrara il revival della commedia latina esce dagli angusti circoli intellettuali e viene per la prima volta recitata in volgare per interessare un pubblico più vasto.en
dc.languageiten
dc.publisherAssociazione Culturale Engrammaen
dc.relation.ispartofLa Rivista di Engrammaen
dc.titleGli Spectacula di Pellegrino Prisciani e il revival del teatro classico a Ferraraen
dc.typeJournal Articleen
local.contributor.firstnameGiuliaen
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.emailgtorello@une.edu.auen
local.output.categoryC1en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.publisher.placeItalyen
local.format.startpage4en
local.format.endpage10en
local.peerreviewedYesen
local.identifier.volume85en
local.contributor.lastnameTorello Hillen
dc.title.translatedPellegrino Prisciani's 'Spectacula' and the Revival of Classical Theatre in Ferraraen
dc.identifier.staffune-id:gtorelloen
local.profile.orcid0000-0001-8601-2536en
local.identifier.unepublicationidune:1959.11/30991en
local.abstract.englishThe staging of Roman Comedy at the court of Ercole I in Ferrara between 1486 and 1504 represents a milestone in the development of modern theatre; select plays of Plautus and Terence were staged for the first time in vernacular and adapted to suit a Renaissance audience. This paper investigates, in particular, the nature of the temporary theatre buildings that hosted these spectacles through a combined study of Pellegrino Prisciani's Spectacula, a short treatise on ancient theatre buildings, and the sparse but precise references contained in temporary chronicles. Prisciani's work appears as a conscious and informed interpretation of the theories formulated by Vitruvius and interpreted by Leon Battista Alberti. At the Ferrara court, the careful application of Vitruvius' architectural principles was filtered through local culture and resulted in the realisation of theatre spaces whose sophistication resembled that of later permanent theatres.en
local.title.maintitleGli Spectacula di Pellegrino Prisciani e il revival del teatro classico a Ferraraen
local.output.categorydescriptionC1 Refereed Article in a Scholarly Journalen
local.relation.urlhttp://www.engramma.it/eOS/index.php?id_articolo=1969en
local.uneassociationNoen
local.atsiresearchNoen
local.sensitive.culturalNoen
local.year.published2010en
local.fileurl.closedpublishedhttps://rune.une.edu.au/web/retrieve/153637ee-84cc-4a91-83aa-c492fde634b2en
local.subject.for2020470518 Literature in Italianen
local.subject.for2020470316 Latin and classical Greek languagesen
local.subject.seo2020130104 The performing artsen
local.subject.seo2020130704 Understanding Europe’s pasten
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School of Humanities, Arts and Social Sciences
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