Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/29159
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Collins, Julie L | en |
dc.contributor.author | Barker, Lorina | en |
local.source.editor | Editor(s): Chris Hay and Jessica Carniel | en |
dc.date.accessioned | 2020-07-30T04:35:35Z | - |
dc.date.available | 2020-07-30T04:35:35Z | - |
dc.date.issued | 2019 | - |
dc.identifier.citation | Eurovision and Australia: Interdisciplinary Perspectives from Down Under, p. 57-74 | en |
dc.identifier.isbn | 9783030200589 | en |
dc.identifier.isbn | 9783030200572 | en |
dc.identifier.uri | https://hdl.handle.net/1959.11/29159 | - |
dc.description.abstract | The inclusion of Australia in the Eurovision Song Contest since 2015 is both novel and geographically controversial. Even more striking is the predominance of Indigenous performers, Jessica Mauboy and Isaiah Firebrace, among Australia's first representatives. The choice of performers by Australia's multicultural broadcaster, SBS, can be perceived as an attempt to present Australia as a modern, multicultural, and postcolonial nation, that has achieved the European goal of "unity through diversity", by choosing Indigenous performers along with those from other minority backgrounds, Guy Sebastian and Dami Im. However, a perception of Indigenous marginality from a predominantly non-Indigenous white mainstream Australian viewpoint may not be an accurate perception of how the European audience view an Indigenous identity. Indigenous musical performers articulate identities that confound the non-Indigenous binaries of traditional and contemporary culture, manifesting a cultural identity that is dynamic, both ancient and modern, and uniquely Australian. | en |
dc.language | en | en |
dc.publisher | Palgrave Macmillan | en |
dc.relation.ispartof | Eurovision and Australia: Interdisciplinary Perspectives from Down Under | en |
dc.relation.isversionof | 1 | en |
dc.title | Indigenous Representation at the Eurovision Song Contest: A Quintessentially Australian Identity | en |
dc.type | Book Chapter | en |
dc.identifier.doi | 10.1007/978-3-030-20058-9_4 | en |
local.contributor.firstname | Julie L | en |
local.contributor.firstname | Lorina | en |
local.subject.for2008 | 190401 Aboriginal and Torres Strait Islander Performing Arts | en |
local.subject.for2008 | 200201 Aboriginal and Torres Strait Islander Cultural Studies | en |
local.subject.seo2008 | 939901 Aboriginal and Torres Strait Islander Education | en |
local.subject.seo2008 | 950302 Conserving Aboriginal and Torres Strait Islander Heritage | en |
local.profile.school | School of Education | en |
local.profile.school | School of Humanities, Arts and Social Sciences | en |
local.profile.email | jcolli25@une.edu.au | en |
local.profile.email | lbarker3@une.edu.au | en |
local.output.category | B1 | en |
local.record.place | au | en |
local.record.institution | University of New England | en |
local.publisher.place | Cham, Switzerland | en |
local.identifier.totalchapters | 13 | en |
local.format.startpage | 57 | en |
local.format.endpage | 74 | en |
local.peerreviewed | Yes | en |
local.title.subtitle | A Quintessentially Australian Identity | en |
local.contributor.lastname | Collins | en |
local.contributor.lastname | Barker | en |
dc.identifier.staff | une-id:jcolli25 | en |
dc.identifier.staff | une-id:lbarker3 | en |
local.profile.orcid | 0000-0001-7670-0722 | en |
local.profile.orcid | 0000-0001-6483-5523 | en |
local.profile.role | author | en |
local.profile.role | author | en |
local.identifier.unepublicationid | une:1959.11/29159 | en |
local.date.onlineversion | 2019-07-26 | - |
dc.identifier.academiclevel | Academic | en |
dc.identifier.academiclevel | Academic | en |
local.title.maintitle | Indigenous Representation at the Eurovision Song Contest | en |
local.output.categorydescription | B1 Chapter in a Scholarly Book | en |
local.relation.url | https://doi.org/10.1007/978-3-030-20058-9 | en |
local.search.author | Collins, Julie L | en |
local.search.author | Barker, Lorina | en |
local.uneassociation | Yes | en |
local.atsiresearch | Yes | en |
local.isrevision | No | en |
dc.subject.austlang | L25 Wangkumara | en |
dc.subject.austlang | D32 Muruwari / Murrawarri | en |
local.sensitive.cultural | No | en |
local.year.available | 2019 | en |
local.year.published | 2019 | en |
local.fileurl.closedpublished | https://rune.une.edu.au/web/retrieve/ed83dab6-804b-41cc-8d13-a24d67340030 | en |
local.subject.for2020 | 450117 Aboriginal and Torres Strait Islander ways of knowing, being and doing | en |
local.subject.for2020 | 450111 Aboriginal and Torres Strait Islander music and performing arts | en |
local.subject.for2020 | 450104 Aboriginal and Torres Strait Islander culture | en |
local.subject.seo2020 | 210299 Aboriginal and Torres Strait Islander education not elsewhere classified | en |
local.subject.seo2020 | 210407 Conserving Aboriginal and Torres Strait Islander heritage and culture | en |
dc.notification.token | 055bb1de-1012-4a7f-b77a-1ba23ff3197d | en |
local.codeupdate.date | 2022-03-24T13:09:24.409 | en |
local.codeupdate.eperson | ghart4@une.edu.au | en |
local.codeupdate.finalised | true | en |
local.original.for2020 | 450117 Aboriginal and Torres Strait Islander ways of knowing, being and doing | en |
local.original.for2020 | 450103 Aboriginal and Torres Strait Islander cultural history | en |
local.original.for2020 | 450111 Aboriginal and Torres Strait Islander music and performing arts | en |
local.original.for2020 | 450104 Aboriginal and Torres Strait Islander culture | en |
local.original.seo2020 | undefined | en |
local.original.seo2020 | undefined | en |
local.relation.worldcat | http://www.worldcat.org/oclc/1114288311 | en |
local.relation.worldcat | http://www.worldcat.org/oclc/1096526982 | en |
Appears in Collections: | Book Chapter School of Education School of Health School of Humanities, Arts and Social Sciences |
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