Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/27869
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dc.contributor.authorPorter, Glennen
local.source.editorEditor(s): Allan Jamieson and Andre Moenssensen
dc.date.accessioned2019-12-02T04:26:12Z-
dc.date.available2019-12-02T04:26:12Z-
dc.date.issued2009-
dc.identifier.citationWiley Encyclopedia of Forensic Science, v.4, p. 2036-2057en
dc.identifier.isbn9780470018262en
dc.identifier.isbn9780470061589en
dc.identifier.isbn0470061588en
dc.identifier.isbn9781444350128en
dc.identifier.isbn1444350129en
dc.identifier.isbn0470018267en
dc.identifier.urihttps://hdl.handle.net/1959.11/27869-
dc.descriptionThis entry was revised in 2013 under the title "Photography and Optical Enhancement of Physical Evidence". See: <br> Porter, G. (2013). Photography and Optical Enhancement of Physical Evidence. In Wiley Encyclopedia of Forensic Science (eds A. Jamieson and A. Moenssens). doi:10.1002/9780470061589.fsa363.pub2en
dc.description.abstractPhotographic and optical enhancement of physical evidence is an important criminalistics function. It provides nondestructive methods of improving the visualization of evidence to allow further forensic examination. The key concepts and techniques involving optical, photographic, and digital imaging techniques are examined in this section. Critical foundation aspects found in quality forensic photography such as maintaining the dimensional integrity of evidence and the representation of scale are described to ensure forensic photography principles. Attributes required for optical enhancement including the relationship between the spectral distribution of the light source, the spectral properties of the specimen, and spectral sensitivity of the recording media are unpacked and provide a theoretical basis. Optic enhancement techniques such as absorption, reflection, transmission, and photoluminescence modes are discussed with samples illustrating those optical effects. Digital imaging enhancement techniques to increase the contrast and the modification of color using Adobe Photoshop™ are explained.en
dc.languageenen
dc.publisherJohn Wiley & Sons Ltden
dc.relation.ispartofWiley Encyclopedia of Forensic Scienceen
dc.relation.isversionof1en
dc.relation.uri10.1002/9780470061589.fsa363.pub2en
dc.titlePhotography: Marks, Impressions, and Documentsen
dc.typeEntry In Reference Worken
dc.identifier.doi10.1002/9780470061589.fsa363en
local.contributor.firstnameGlennen
local.subject.for2008190503 Lens-based Practiceen
local.subject.for2008160299 Criminology not elsewhere classifieden
local.subject.for2008180199 Law not elsewhere classifieden
local.subject.seo2008940499 Justice and the Law not elsewhere classifieden
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.emailgporter4@une.edu.auen
local.output.categoryNen
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.publisher.placeChichester, United Kingdomen
local.format.startpage2036en
local.format.endpage2057en
local.identifier.volume4en
local.title.subtitleMarks, Impressions, and Documentsen
local.contributor.lastnamePorteren
dc.identifier.staffune-id:gporter4en
local.profile.roleauthoren
local.identifier.unepublicationidune:1959.11/27869en
dc.identifier.academiclevelAcademicen
local.title.maintitlePhotographyen
local.output.categorydescriptionN Entry In Reference Worken
local.search.authorPorter, Glennen
local.istranslatedNoen
local.uneassociationNoen
local.atsiresearchNoen
local.sensitive.culturalNoen
local.year.published2009en
local.fileurl.closedpublishedhttps://rune.une.edu.au/web/retrieve/504e27da-fcc5-46b2-a088-a20ff460abe7en
local.relation.worldcathttp://www.worldcat.org/oclc/527925138en
local.relation.worldcathttp://www.worldcat.org/oclc/798922171en
Appears in Collections:Entry In Reference Work
School of Humanities, Arts and Social Sciences
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