Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/27677
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Spreadborough, Kristal | en |
dc.date.accessioned | 2019-10-21T04:46:16Z | - |
dc.date.available | 2019-10-21T04:46:16Z | - |
dc.date.issued | 2019-10-21 | - |
dc.identifier.citation | The Conversation, v.Arts + Culture | en |
dc.identifier.issn | 2201-5639 | en |
dc.identifier.issn | 1441-8681 | en |
dc.identifier.uri | https://hdl.handle.net/1959.11/27677 | - |
dc.description.abstract | As the Australian premier season of The Masked Singer draws to a close, fans are listening hard to guess which celebrities remain behind the weird and wonderful costumes. Although the celebrities throw listeners a few cryptic clues, the main giveaways for guessing the identity of the masked performer are found in their voice. Do they sound big or small, male or female, old or young? Is their voice strong, emotive, controlled? As singer Deni Hines said when unmasked last week: “With this, it was purely the voice.” The sound of the voice – referred to as vocal quality or vocal timbre in singing – is highly characteristic and distinctive. | en |
dc.language | en | en |
dc.publisher | The Conversation Media Group Ltd | en |
dc.relation.ispartof | The Conversation | en |
dc.rights | Attribution-NoDerivatives 4.0 International | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nd/4.0/ | * |
dc.title | The voice unmasked: how we hear image, emotion and identity | en |
dc.type | Journal Article | en |
dcterms.accessRights | Gold | en |
local.contributor.firstname | Kristal | en |
local.subject.for2008 | 190409 Musicology and Ethnomusicology | en |
local.subject.for2008 | 190407 Music Performance | en |
local.subject.for2008 | 170299 Cognitive Sciences not elsewhere classified | en |
local.subject.seo2008 | 950201 Communication Across Languages and Culture | en |
local.subject.seo2008 | 950101 Music | en |
local.subject.seo2008 | 970117 Expanding Knowledge in Psychology and Cognitive Sciences | en |
local.profile.school | School of Humanities, Arts and Social Sciences | en |
local.profile.email | kspread2@une.edu.au | en |
local.output.category | C3 | en |
local.record.place | au | en |
local.record.institution | University of New England | en |
local.publisher.place | Australia | en |
local.url.open | https://theconversation.com/the-voice-unmasked-how-we-hear-image-emotion-and-identity-125126 | en |
local.identifier.volume | Arts + Culture | en |
local.title.subtitle | how we hear image, emotion and identity | en |
local.access.fulltext | Yes | en |
local.contributor.lastname | Spreadborough | en |
dc.identifier.staff | une-id:kspread2 | en |
local.profile.orcid | 0000-0002-7022-3213 | en |
local.profile.role | author | en |
local.identifier.unepublicationid | une:1959.11/27677 | en |
dc.identifier.academiclevel | Academic | en |
local.title.maintitle | The voice unmasked | en |
local.output.categorydescription | C3 Non-Refereed Article in a Professional Journal | en |
local.search.author | Spreadborough, Kristal | en |
local.istranslated | No | en |
local.uneassociation | Unknown | en |
local.year.published | 2019 | en |
local.fileurl.closedpublished | https://rune.une.edu.au/web/retrieve/241ba5e4-45bf-4f93-b3f1-a590f60ebec1 | en |
local.subject.for2020 | 360303 Music education | en |
local.subject.for2020 | 360304 Music performance | en |
local.subject.for2020 | 520401 Cognition | en |
local.subject.seo2020 | 130201 Communication across languages and culture | en |
local.subject.seo2020 | 130102 Music | en |
local.subject.seo2020 | 280121 Expanding knowledge in psychology | en |
dc.notification.token | ce530e52-dc38-447d-89e3-6e4d30f9529f | en |
local.relation.worldcat | http://www.worldcat.org/oclc/823749837 | en |
Appears in Collections: | Journal Article School of Humanities, Arts and Social Sciences |
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