Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/27674
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dc.contributor.authorStoessel, Jasonen
dc.date.accessioned2019-10-21T00:53:45Z-
dc.date.available2019-10-21T00:53:45Z-
dc.date.issued2019-06-
dc.identifier.citationNotes, 75(4), p. 697-701en
dc.identifier.issn1534-150Xen
dc.identifier.issn0027-4380en
dc.identifier.urihttps://hdl.handle.net/1959.11/27674-
dc.description.abstractManuscript 1070 of the Royal College of Music (hereinafter MS 1070) has had a colorful reception in modern musicology. Half a century ago, Edward Lowinsky (“MS 1070 of the Royal College of Music in London,” <i>Proceedings of the Royal Musical Association</i> 96 [1969]: 1–28) proposed an elaborate narrative of court musician Mark Smeaton (ca. 1512–1536) copying MS 1070 for Anne Boleyn (ca. 1501–1536) in the last years of her life as the illfated second queen of King Henry VIII.en
dc.languageenen
dc.publisherMusic Library Associationen
dc.relation.ispartofNotesen
dc.titleThe Anne Boleyn Music Book (Royal College of Music MS 1070). Facsimile with introduction by Thomas Schmidt, David Skinner, with Katja Airaksinen-Monier. (DIAMM facsimiles, 6.) Oxford: DIAMM Publications, 2017. [Pref., p. ii; introd., p. 1–32; bibliog., p. 33–36; appendices, p. 37–54; 269 color plates. ISBN 978-1-907647-06-2 (hardback). £70.]en
dc.typeReviewen
dc.identifier.doi10.1353/not.2019.0052en
local.contributor.firstnameJasonen
local.subject.for2008190409 Musicology and Ethnomusicologyen
local.subject.seo2008950101 Musicen
local.profile.schoolFaculty of Humanities, Arts, Social Sciences and Educationen
local.profile.emailjstoess2@une.edu.auen
local.output.categoryD3en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.publisher.placeUnited States of Americaen
local.format.startpage697en
local.format.endpage701en
local.identifier.volume75en
local.identifier.issue4en
local.title.subtitleDIAMM Publications, 2017. [Pref., p. ii; introd., p. 1–32; bibliog., p. 33–36; appendices, p. 37–54; 269 color plates. ISBN 978-1-907647-06-2 (hardback). £70.]en
local.contributor.lastnameStoesselen
dc.identifier.staffune-id:jstoess2en
local.profile.orcid0000-0001-7873-2664en
local.profile.roleauthoren
local.identifier.unepublicationidune:1959.11/27674en
dc.identifier.academiclevelAcademicen
local.title.maintitleThe Anne Boleyn Music Book (Royal College of Music MS 1070). Facsimile with introduction by Thomas Schmidt, David Skinner, with Katja Airaksinen-Monier. (DIAMM facsimiles, 6.) Oxforden
local.output.categorydescriptionD3 Review of Single Worken
local.search.authorStoessel, Jasonen
local.uneassociationYesen
local.atsiresearchNoen
local.sensitive.culturalNoen
local.year.published2019en
local.fileurl.closedpublishedhttps://rune.une.edu.au/web/retrieve/76e3cff2-09c7-4551-b718-7cb8655801e4en
local.subject.for2020360306 Musicology and ethnomusicologyen
local.subject.seo2020130102 Musicen
local.subject.seo2020130704 Understanding Europe’s pasten
Appears in Collections:Review
School of Humanities, Arts and Social Sciences
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