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Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/26768
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DC FieldValueLanguage
dc.contributor.authorStoessel, Jasonen
dc.date.accessioned2019-04-23T01:13:57Z-
dc.date.available2019-04-23T01:13:57Z-
dc.date.issued2018-01-
dc.identifier.citationSpeculum, 93(1), p. 184-185en
dc.identifier.issn2040-8072en
dc.identifier.issn0038-7134en
dc.identifier.urihttps://hdl.handle.net/1959.11/26768-
dc.languageiten
dc.publisherUniversity of Chicago Pressen
dc.relation.ispartofSpeculumen
dc.titleAntonio Calvia and Maria Sofia Lannutti, eds., Musica e poesia nel Trecento italiano. Verso una nuova edizione critica dell' "Ars nova"en
dc.typeReviewen
dc.identifier.doi10.1086/696085en
local.contributor.firstnameJasonen
local.subject.for2008190409 Musicology and Ethnomusicologyen
local.subject.for2008200513 Literature in Italianen
local.subject.seo2008950101 Musicen
local.subject.seo2008970120 Expanding Knowledge in Language, Communication and Cultureen
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.emailjstoess2@une.edu.auen
local.output.categoryD3en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.publisher.placeUnited States of Americaen
local.format.startpage184en
local.format.endpage185en
local.identifier.volume93en
local.identifier.issue1en
local.contributor.lastnameStoesselen
dc.title.translatedReview of "Italian music and poetry in the fourteenth century: Towards a new critical edition of the 'Ars Nova' "en
dc.identifier.staffune-id:jstoess2en
local.profile.orcid0000-0001-7873-2664en
local.profile.roleauthoren
local.identifier.unepublicationidune:1959.11/26768en
dc.identifier.academiclevelAcademicen
local.abstract.englishOne of the great endeavors of twentieth-century musicology has to be the editing of almost all the polyphony of the (long) fourteenth century. Beginning with Johannes Wolf’s posthumously published edition of the famous Squarcialupi Codex (1955) and ending with the publication of the final installment of the monumental Polyphonic Music of the Fourteenth Century (1991), an international consortium of scholars from Europe and North America provided the expertise for this enterprise. Even before this project was complete there were rumblings in relation both to editorial approaches (which changed dramatically over its course) and to the pitfalls of transcribing and reading medieval polyphony in modern notation. Several non-liturgical texts presented in these editions are problematic or even nonsensical.en
local.title.maintitleAntonio Calvia and Maria Sofia Lannutti, eds., Musica e poesia nel Trecento italiano. Verso una nuova edizione critica dell' "Ars nova"en
local.output.categorydescriptionD3 Review of Single Worken
local.search.authorStoessel, Jasonen
local.uneassociationUnknownen
local.identifier.wosid000418804200023en
local.year.published2018en
local.fileurl.closedpublishedhttps://rune.une.edu.au/web/retrieve/0bd1e0b2-f110-4496-875f-0283d26bf09aen
local.subject.for2020360306 Musicology and ethnomusicologyen
local.subject.for2020470518 Literature in Italianen
local.subject.seo2020130102 Musicen
local.subject.seo2020280114 Expanding knowledge in Indigenous studiesen
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School of Humanities, Arts and Social Sciences
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