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|Title:||The Public Baptism of Muslims in Early Modern Spain and Portugal: Forging Communal Identity through Collective Emotional Display||Contributor(s):||Soyer, Francois (author)||Publication Date:||2015-12||Early Online Version:||2015-05-19||DOI:||10.1111/1467-9809.12270||Handle Link:||https://hdl.handle.net/1959.11/26669||Abstract:||This article seeks to consider the role played by emotions, or rather emotional display, in the public spectacle of the conversion of infidels in early modern Spain and Portugal. It begins with a concise examination of the ritual of public baptism, based chiefly on evidence gleaned from surviving accounts of four large ceremonies held in Lisbon (1588), Seville (1625 and 1672), and Barcelona (1723), as well as two smaller public baptisms in the village of Fitero in Spain (1659) and the town of Estremoz in Portugal (1739). It then focuses on the account of the public baptism of a Muslim that took place in Seville in 1625 — by far the most detailed account — to highlight the importance given to the emotional responses of both the convert (to establish his sincerity) and the spectators in these ceremonies. Finally, it examines the wider social function of these spectacles and argues that their organisers, beyond their own personal or institutional motives, exploited the conversion of infidels in order to create a sense of communal identity binding the spectators together through their collective emotional response to specific symbols.||Publication Type:||Journal Article||Grant Details:||ARC/CE110001011||Source of Publication:||Journal of Religious History, 39(4), p. 506-523||Publisher:||Wiley-Blackwell Publishing Asia||Place of Publication:||Australia||ISSN:||0022-4227
|Field of Research (FOR):||210307 European History (excl. British, Classical Greek and Roman)||Socio-Economic Outcome Codes:||970121 Expanding Knowledge in History and Archaeology||Peer Reviewed:||Yes||HERDC Category Description:||C1 Refereed Article in a Scholarly Journal|
|Appears in Collections:||Journal Article|
School of Humanities, Arts and Social Sciences
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