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Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/23526
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dc.contributor.authorPaquet, Lilien
dc.date.accessioned2018-07-24T12:07:00Z-
dc.date.issued2018-
dc.identifier.citationLaw and Humanities, 12(1), p. 71-92en
dc.identifier.issn1752-1491en
dc.identifier.issn1752-1483en
dc.identifier.urihttps://hdl.handle.net/1959.11/23526-
dc.description.abstractTrue crime series have had a recent revival following the release of season 1 of the popular podcast Serial, and the Netflix documentary Making a Murderer. These series have been previously studied for how their popularity was derived from taking back legal narratives from institutional gatekeepers, from 'jurifying' the audience, and because of the 'ecosystem' of online fandom. But little seems to have been written about how the series use techniques of forensic rhetoric to draw in audiences. This article aims to evaluate the two series through the prism of law and literature, and explores the oft-overlooked relationship between forensic rhetoric and literature. It concludes that narrative provides a link between rational and emotional 'proofs' in the true crime series.en
dc.languageenen
dc.publisherRoutledgeen
dc.relation.ispartofLaw and Humanitiesen
dc.titleLiterary forensic rhetoric: maps, emotional assent, and rhetorical space in Serial and Making a Murdereren
dc.typeJournal Articleen
dc.identifier.doi10.1080/17521483.2018.1457243en
dc.subject.keywordsLiterary Theory-
dc.subject.keywordsCommunication Studies-
dc.subject.keywordsLaw and Legal Studies-
local.contributor.firstnameLilien
local.subject.for2008189999 Law and Legal Studies not elsewhere classifieden
local.subject.for2008200525 Literary Theoryen
local.subject.for2008200101 Communication Studiesen
local.subject.seo2008970120 Expanding Knowledge in Language, Communication and Cultureen
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.emaillpaquet@une.edu.auen
local.output.categoryC1en
local.record.placeau-
local.record.institutionUniversity of New England-
local.identifier.epublicationsrecordune-20180724-105923-
local.publisher.placeUnited Kingdomen
local.format.startpage71en
local.format.endpage92en
local.identifier.scopusid85045146015en
local.peerreviewedYesen
local.identifier.volume12en
local.identifier.issue1en
local.title.subtitlemaps, emotional assent, and rhetorical space in Serial and Making a Murdereren
local.contributor.lastnamePaqueten
dc.identifier.staffune-id:lpaqueten
local.profile.orcid0000-0001-5300-1689en
local.profile.roleauthoren
local.identifier.unepublicationidune:23708-
local.identifier.handlehttps://hdl.handle.net/1959.11/23526-
dc.identifier.academiclevelAcademicen
local.title.maintitleLiterary forensic rhetoricen
local.output.categorydescriptionC1 Refereed Article in a Scholarly Journal-
local.search.authorPaquet, Lilien
local.uneassociationUnknownen
local.year.published2018en
local.fileurl.closedpublishedhttps://rune.une.edu.au/web/retrieve/147342f9-3244-4be4-843a-11050e10965den
local.subject.for2020360202 Digital writingen
local.subject.for2020470101 Communication studiesen
local.subject.for2020360201 Creative writing (incl. scriptwriting)en
local.subject.seo2020130103 The creative artsen
local.subject.seo2020130204 The mediaen
local.subject.seo2020130201 Communication across languages and cultureen
dc.notification.tokene1855434-c2d0-403f-9bb6-4fd8323f6fbaen
local.codeupdate.date2021-11-05T12:15:23.444en
local.codeupdate.epersonlpaquet@une.edu.auen
local.codeupdate.finalisedtrueen
local.original.for2020undefineden
local.original.for2020470514 Literary theoryen
local.original.for2020470101 Communication studiesen
local.original.seo2020280116 Expanding knowledge in language, communication and cultureen
local.original.seo2020280114 Expanding knowledge in Indigenous studiesen
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School of Humanities, Arts and Social Sciences
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