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https://hdl.handle.net/1959.11/2330
Title: | The Kyushu 'Biwa' Traditions | Contributor(s): | de Ferranti, Hugh (author) | Publication Date: | 2008 | Handle Link: | https://hdl.handle.net/1959.11/2330 | Abstract: | This chapter is concerned with a regional music culture. The 'biwa' music of Kyushu and the near reaches of southwestern Japan has a history that overlaps with that of the canonical 'heike-biwa' tradition (Chapter 4) but differs in many respects, including the incorporation of 'biwa' as a tool for Buddhist ritual, the relations of sung or recited text to written text sources, the kinds of narrative repertory performed, the contexts for performance, and the types of instruments played. The Kyushu 'biwa' traditions can be seen as distinctive regional practices which at times have been formative influences upon the 'biwa' narrative music favoured in Japan's historical centres of cultural and political power, while at other times being deeply influenced by those canonical styles. | Publication Type: | Book Chapter | Source of Publication: | The Ashgate Research Companion to Japanese Music, p. 105-126 | Publisher: | Ashgate Publishing | Place of Publication: | London, United Kingdom | ISBN: | 0754656993 9780754656999 |
Fields of Research (FoR) 2008: | 190409 Musicology and Ethnomusicology | Socio-Economic Objective (SEO) 2008: | 950101 Music | HERDC Category Description: | B1 Chapter in a Scholarly Book | Publisher/associated links: | http://nla.gov.au/anbd.bib-an41341274 http://books.google.com.au/books?id=W2JTgQGc99EC&lpg=PP1&pg=RA1-PA105 http://www.ashgate.com/default.aspx?page=637&calcTitle=1&title_id=8230&edition_id=9574 |
Series Name: | SOAS Musicology Series | Editor: | Editor(s): Alison McQueen Tokita and David W. Hughes |
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Appears in Collections: | Book Chapter School of Humanities, Arts and Social Sciences |
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