Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/20910
Title: | Review of Pam Cook, 'Baz Luhrmann' (World Directors series). London: British Film Institute and Palgrave Macmillan, 2010, 208 pp | Contributor(s): | Hopgood, Fincina (author) | Publication Date: | 2011 | DOI: | 10.1093/screen/hjr030 | Handle Link: | https://hdl.handle.net/1959.11/20910 | Abstract: | Baz Luhrmann is a fascinating figure for scholars working across a range of fields, from Australian film studies and theories of transnational cinema, to the study of adaptations and the musical genre, to conceptualizations of the contemporary post-auteur. The diversity of these fields of inquiry is reflected in the scope of Pam Cook's detailed and thorough investigation of the cinematic works of this iconoclastic director who began his career in theatre in Sydney in the 1980s. Luhrmann's 1992 screen adaptation of his play 'Strictly Ballroom' caused a sensation at the Cannes Film Festival, propelling him into the international market and a first-look deal with 20th Century-Fox. | Publication Type: | Review | Source of Publication: | Screen, 52(3), p. 407-411 | Publisher: | Oxford University Press | Place of Publication: | United Kingdom | ISSN: | 1460-2474 0036-9543 |
Fields of Research (FoR) 2008: | 190201 Cinema Studies | Socio-Economic Objective (SEO) 2008: | 950105 The Performing Arts (incl. Theatre and Dance) | HERDC Category Description: | D3 Review of Single Work |
---|---|
Appears in Collections: | Review School of Humanities, Arts and Social Sciences |
Files in This Item:
File | Description | Size | Format |
---|
Page view(s)
2,424
checked on Jul 21, 2024
Items in Research UNE are protected by copyright, with all rights reserved, unless otherwise indicated.