Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/18209
Title: The Captive Scribe: The context and culture of scribal and notational process in the music of the 'ars subtilior'
Contributor(s): Stoessel, Jason  (author)orcid ; Eakins, Rex  (supervisor); Goldsworthy, David  (supervisor)
Conferred Date: 2003
Copyright Date: 2002
Open Access: Yes
Handle Link: https://hdl.handle.net/1959.11/18209
Abstract: The extant scribal record of the music of the 'ars subtilior' is considered in terms of the reception of this musical style within particular cultural contexts. The first part of this study re-examines the two principal sources (F-CH 564 and I-MOe5.24) of a partially shared ars subtilior repertoire and concludes that, despite the presence in part of a repertoire ostensibly composed north of the Alps ('c'. 1380-1395), these manuscripts were compiled in or close to major centres on the Italian peninsula (Florence and Pisa/Bologna/Florence respectively). These conclusions form the background to the second part of this study that identifies cultural tendencies/influences in the notation of musical rhythm in the 'ars subtilior' repertoire. Notational process as a whole is conceptualised according to neo-Aristotelean ontology present in musical theory of the fourteenth and fifteenth centuries. Notational process in relation to special note shapes is split into two groups: a northern Italian school originating in Lombardy and extending at least as far as Tuscany which employed an arithmetic process in the construction of new note shapes; and a tradition stemming from proportional processes with origins in France which were subsequently adopted and modified by scribes and composers from Italian centres. In relation to mensuration signs, variation in forms and meanings in datable works suggest the existence of a notational school of thought 'c'. 1380 which bridges the earlier modes of intrinsic signification with the increasingly extrinsic modes that emerged at the end of the fourteenth century. A major revision of the received view concerning the influence of the mathematical process of algorism upon notational process is argued with the conclusion that algorithmic concepts were already present in the notation of the 'ars subtilior' before the end of the fourteenth century. A new edition of pertinent works also accompanies the study.
Publication Type: Thesis Doctoral
Rights Statement: Copyright 2002 - Jason Stoessel
HERDC Category Description: T2 Thesis - Doctorate by Research
Appears in Collections:School of Humanities, Arts and Social Sciences
Thesis Doctoral

Files in This Item:
19 files
File Description SizeFormat 
open/SOURCE03.pdfAbstract542.71 kBAdobe PDF
Download Adobe
View/Open
open/SOURCE04.pdfThesis, part 11.54 MBAdobe PDF
Download Adobe
View/Open
open/SOURCE05.pdfThesis, part 25.77 MBAdobe PDF
Download Adobe
View/Open
open/SOURCE06.pdfThesis, part 36.58 MBAdobe PDF
Download Adobe
View/Open
open/SOURCE07.pdfThesis, part 44.18 MBAdobe PDF
Download Adobe
View/Open
open/SOURCE08.pdfThesis, part 53.65 MBAdobe PDF
Download Adobe
View/Open
open/SOURCE09.pdfThesis, part 62.78 MBAdobe PDF
Download Adobe
View/Open
1 2 3 Next
Show full item record

Page view(s)

3,782
checked on Sep 3, 2023

Download(s)

4,074
checked on Sep 3, 2023
Google Media

Google ScholarTM

Check


Items in Research UNE are protected by copyright, with all rights reserved, unless otherwise indicated.