Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/17849
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Pender, Anne | en |
dc.date.accessioned | 2015-08-31T16:19:00Z | - |
dc.date.issued | 2015 | - |
dc.identifier.citation | About Performance (13), p. 165-183 | en |
dc.identifier.issn | 1324-6089 | en |
dc.identifier.uri | https://hdl.handle.net/1959.11/17849 | - |
dc.description.abstract | Inga Clendinnen describes the process of writing biography as being morally, socially and legally dangerous (2007, n.p.). In my experience of writing biography it is dangerous morally because of the possibility that the subject and his or her circle of friends will be hurt or damaged by revelations, dangerous socially because of the contempt with which biographers are sometimes regarded (even in scholarly communities), and dangerous legally because of the potential for legal problems arising from statements made by the biographer. | en |
dc.language | en | en |
dc.publisher | Sydney University Press | en |
dc.relation.ispartof | About Performance | en |
dc.title | Portraits of Actors: Elspeth Ballantyne, Julia Blake and the Challenges of Biography | en |
dc.type | Journal Article | en |
dc.subject.keywords | Drama, Theatre and Performance Studies | en |
local.contributor.firstname | Anne | en |
local.subject.for2008 | 190404 Drama, Theatre and Performance Studies | en |
local.subject.seo2008 | 950105 The Performing Arts (incl. Theatre and Dance) | en |
local.profile.school | School of Humanities, Arts and Social Sciences | en |
local.profile.email | jpender@une.edu.au | en |
local.output.category | C1 | en |
local.record.place | au | en |
local.record.institution | University of New England | en |
local.identifier.epublicationsrecord | une-20150828-145058 | en |
local.publisher.place | Australia | en |
local.format.startpage | 165 | en |
local.format.endpage | 183 | en |
local.peerreviewed | Yes | en |
local.identifier.issue | 13 | en |
local.title.subtitle | Elspeth Ballantyne, Julia Blake and the Challenges of Biography | en |
local.contributor.lastname | Pender | en |
dc.identifier.staff | une-id:jpender | en |
local.profile.orcid | 0000-0002-7435-0308 | en |
local.profile.role | author | en |
local.identifier.unepublicationid | une:18060 | en |
dc.identifier.academiclevel | Academic | en |
local.title.maintitle | Portraits of Actors | en |
local.output.categorydescription | C1 Refereed Article in a Scholarly Journal | en |
local.relation.url | http://sydney.edu.au/arts/performance/research/publications.shtml | en |
local.relation.grantdescription | ARC/FT110100256 | en |
local.search.author | Pender, Anne | en |
local.uneassociation | Unknown | en |
local.year.published | 2015 | en |
local.subject.for2020 | 360401 Applied theatre | en |
local.subject.for2020 | 360403 Drama, theatre and performance studies | en |
local.subject.seo2020 | 130104 The performing arts | en |
Appears in Collections: | Journal Article School of Humanities, Arts and Social Sciences |
Files in This Item:
File | Description | Size | Format |
---|
Page view(s)
1,186
checked on Jul 2, 2023
Items in Research UNE are protected by copyright, with all rights reserved, unless otherwise indicated.