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https://hdl.handle.net/1959.11/12560| Title: | What a carry on? Portable art and changes of symbolic meaning | Contributor(s): | Davidson, Iain (author) |
Publication Date: | 2012 | Handle Link: | https://hdl.handle.net/1959.11/12560 | Abstract: | The motivation for this paper is the continuing publication of maps of European Upper Palaeolithic "art" sites that omit the site of Parpalló (e.g. Bahn & Vertut 1988; Clottes 2008; Guthrie 2005; Klein 1989; Ucko & Rosenfeld 1967). It asks the question: Why don't people see the importance of Parpalló? It seeks to show the important principles about the study of prehistoric paintings and engravings, particularly of the Pleistocene, that are illustrated by Parpalló. | Publication Type: | Book Chapter | Source of Publication: | L'art pléistocène dans le monde, p. 1559-1570 | Publisher: | Société Préhistorique Ariège-Pyrénées [Prehistoric Society of Ariege-Pyrenees] | Place of Publication: | Tarascon-sur-Ariege, France | ISBN: | 9782953114836 | Fields of Research (FoR) 2008: | 210105 Archaeology of Europe, the Mediterranean and the Levant | Fields of Research (FoR) 2020: | 430104 Archaeology of Europe, the Mediterranean and the Levant | Socio-Economic Objective (SEO) 2008: | 950504 Understanding Europes Past | Socio-Economic Objective (SEO) 2020: | 130704 Understanding Europe’s past | HERDC Category Description: | B1 Chapter in a Scholarly Book | Editor: | Editor(s): Jean Clottes |
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| Appears in Collections: | Book Chapter |
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