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https://hdl.handle.net/1959.11/12560
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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Davidson, Iain | en |
local.source.editor | Editor(s): Jean Clottes | en |
dc.date.accessioned | 2013-05-15T16:47:00Z | - |
dc.date.issued | 2012 | - |
dc.identifier.citation | L'art pléistocène dans le monde, p. 1559-1570 | en |
dc.identifier.isbn | 9782953114836 | en |
dc.identifier.uri | https://hdl.handle.net/1959.11/12560 | - |
dc.description.abstract | The motivation for this paper is the continuing publication of maps of European Upper Palaeolithic "art" sites that omit the site of Parpalló (e.g. Bahn & Vertut 1988; Clottes 2008; Guthrie 2005; Klein 1989; Ucko & Rosenfeld 1967). It asks the question: Why don't people see the importance of Parpalló? It seeks to show the important principles about the study of prehistoric paintings and engravings, particularly of the Pleistocene, that are illustrated by Parpalló. | en |
dc.language | en | en |
dc.publisher | Société Préhistorique Ariège-Pyrénées [Prehistoric Society of Ariege-Pyrenees] | en |
dc.relation.ispartof | L'art pléistocène dans le monde | en |
dc.relation.isversionof | 1 | en |
dc.title | What a carry on? Portable art and changes of symbolic meaning | en |
dc.type | Book Chapter | en |
dc.subject.keywords | Archaeology of Europe, the Mediterranean and the Levant | en |
local.contributor.firstname | Iain | en |
local.subject.for2008 | 210105 Archaeology of Europe, the Mediterranean and the Levant | en |
local.subject.seo2008 | 950504 Understanding Europes Past | en |
local.identifier.epublications | vtls086665508 | en |
local.profile.school | Administration | en |
local.profile.email | idavidso@une.edu.au | en |
local.output.category | B1 | en |
local.record.place | au | en |
local.record.institution | University of New England | en |
local.identifier.epublicationsrecord | une-20130404-164610 | en |
local.publisher.place | Tarascon-sur-Ariege, France | en |
local.identifier.totalchapters | 152 | en |
local.format.startpage | 1559 | en |
local.format.endpage | 1570 | en |
local.contributor.lastname | Davidson | en |
dc.identifier.staff | une-id:idavidso | en |
local.booktitle.translated | Pleistocene art of the world | en |
local.profile.orcid | 0000-0003-1840-9704 | en |
local.profile.role | author | en |
local.identifier.unepublicationid | une:12767 | en |
dc.identifier.academiclevel | Academic | en |
local.title.maintitle | What a carry on? Portable art and changes of symbolic meaning | en |
local.output.categorydescription | B1 Chapter in a Scholarly Book | en |
local.search.author | Davidson, Iain | en |
local.uneassociation | Unknown | en |
local.year.published | 2012 | en |
local.subject.for2020 | 430104 Archaeology of Europe, the Mediterranean and the Levant | en |
local.subject.seo2020 | 130704 Understanding Europe’s past | en |
Appears in Collections: | Book Chapter |
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