Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/11583
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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Scully, Richard | en |
dc.date.accessioned | 2012-10-30T16:00:00Z | - |
dc.date.issued | 2012 | - |
dc.identifier.citation | German Studies Review, 35(3), p. 541-565 | en |
dc.identifier.issn | 2164-8646 | en |
dc.identifier.issn | 0149-7952 | en |
dc.identifier.uri | https://hdl.handle.net/1959.11/11583 | - |
dc.description.abstract | Paul von Hindenburg (1847-1934), last president of the Weimar Republic (1925-1934), was one of the most caricatured men of his day. Cartoonists of both the left and the right wing of German politics used aspects of his own carefully constructed public image - the "Hindenburg myth" - both to admire and admonish the president; but in taking an essentially uncritical view of the field-marshal president, even when seeking to subvert this image, Weimar-era cartoonists ultimately failed to destabilize a damaging political discourse that contributed to the stagnation and decline of German democracy. This was despite Weimar Germany being an ideal environment for liberal-democratic caricature. | en |
dc.language | en | en |
dc.publisher | Johns Hopkins University Press | en |
dc.relation.ispartof | German Studies Review | en |
dc.title | Hindenburg: The Cartoon Titan of the Weimar Republic, 1918-1934 | en |
dc.type | Journal Article | en |
dc.identifier.doi | 10.1353/gsr.2012.0126 | en |
dc.subject.keywords | European History (excl British, Classical Greek and Roman) | en |
dc.subject.keywords | Historical Studies | en |
dc.subject.keywords | Art History | en |
local.contributor.firstname | Richard | en |
local.subject.for2008 | 210399 Historical Studies not elsewhere classified | en |
local.subject.for2008 | 190102 Art History | en |
local.subject.for2008 | 210307 European History (excl British, Classical Greek and Roman) | en |
local.subject.seo2008 | 950104 The Creative Arts (incl. Graphics and Craft) | en |
local.subject.seo2008 | 970121 Expanding Knowledge in History and Archaeology | en |
local.profile.school | School of Humanities, Arts and Social Sciences | en |
local.profile.email | rscully@une.edu.au | en |
local.output.category | C1 | en |
local.record.place | au | en |
local.record.institution | University of New England | en |
local.identifier.epublicationsrecord | une-20121030-150920 | en |
local.publisher.place | United States of America | en |
local.format.startpage | 541 | en |
local.format.endpage | 565 | en |
local.identifier.scopusid | 84880518664 | en |
local.peerreviewed | Yes | en |
local.identifier.volume | 35 | en |
local.identifier.issue | 3 | en |
local.title.subtitle | The Cartoon Titan of the Weimar Republic, 1918-1934 | en |
local.contributor.lastname | Scully | en |
dc.identifier.staff | une-id:rscully | en |
local.profile.role | author | en |
local.identifier.unepublicationid | une:11782 | en |
dc.identifier.academiclevel | Academic | en |
local.title.maintitle | Hindenburg | en |
local.output.categorydescription | C1 Refereed Article in a Scholarly Journal | en |
local.search.author | Scully, Richard | en |
local.uneassociation | Unknown | en |
local.year.published | 2012 | en |
local.subject.for2020 | 430399 Historical studies not elsewhere classified | en |
local.subject.for2020 | 360102 Art history | en |
local.subject.for2020 | 430308 European history (excl. British, classical Greek and roman) | en |
local.subject.seo2020 | 130103 The creative arts | en |
local.subject.seo2020 | 280114 Expanding knowledge in Indigenous studies | en |
local.subject.seo2020 | 280113 Expanding knowledge in history, heritage and archaeology | en |
Appears in Collections: | Journal Article School of Humanities, Arts and Social Sciences |
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