Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/7316
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Albury, William R | en |
dc.contributor.author | Weisz, George M | en |
dc.date.accessioned | 2011-05-05T16:39:00Z | - |
dc.date.issued | 2011 | - |
dc.identifier.citation | Hektoen International, v.3 (1) | en |
dc.identifier.issn | 2155-3017 | en |
dc.identifier.uri | https://hdl.handle.net/1959.11/7316 | - |
dc.description.abstract | The image of 'Praying Hands' by Albrecht Dürer, painted on an altarpiece in the sixteenth century and destroyed by fire in the seventeenth century, has come down to us in the form of a preparatory drawing on blue-grey paper (Fig. 1). The popularity of this image is impressive because of its religious connotations and artistic beauty. The drawing has been the subject of many descriptions and much speculation about the intentions of the artist and the source of the hands he depicts. The present article notes some specific pathological features of these hands and uses computer-assisted tracings to identify their model in an earlier work by the Italian artist Andrea Mantegna. | en |
dc.language | en | en |
dc.publisher | Hektoen Institute of Medicine | en |
dc.relation.ispartof | Hektoen International | en |
dc.title | The model for Albrecht Dürer's 'Praying hands' | en |
dc.type | Journal Article | en |
dc.subject.keywords | History and Philosophy of Medicine | en |
local.contributor.firstname | William R | en |
local.contributor.firstname | George M | en |
local.subject.for2008 | 220205 History and Philosophy of Medicine | en |
local.subject.seo2008 | 970121 Expanding Knowledge in History and Archaeology | en |
local.profile.school | School of Humanities, Arts and Social Sciences | en |
local.profile.school | School of Humanities, Arts and Social Sciences | en |
local.profile.email | walbury2@une.edu.au | en |
local.profile.email | gweisz@une.edu.au | en |
local.output.category | C1 | en |
local.record.place | au | en |
local.record.institution | University of New England | en |
local.identifier.epublicationsrecord | une-20110131-17129 | en |
local.publisher.place | United States of America | en |
local.peerreviewed | Yes | en |
local.identifier.volume | 3 | en |
local.identifier.issue | 1 | en |
local.contributor.lastname | Albury | en |
local.contributor.lastname | Weisz | en |
dc.identifier.staff | une-id:walbury2 | en |
dc.identifier.staff | une-id:gweisz | en |
local.profile.role | author | en |
local.profile.role | author | en |
local.identifier.unepublicationid | une:7484 | en |
dc.identifier.academiclevel | Academic | en |
dc.identifier.academiclevel | Academic | en |
local.title.maintitle | The model for Albrecht Dürer's 'Praying hands' | en |
local.output.categorydescription | C1 Refereed Article in a Scholarly Journal | en |
local.relation.url | http://www.hektoeninternational.org/Durers_praying_hands.html | en |
local.search.author | Albury, William R | en |
local.search.author | Weisz, George M | en |
local.uneassociation | Unknown | en |
local.year.published | 2011 | en |
Appears in Collections: | Journal Article |
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