Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/64196
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Potter, Wellett | en |
dc.date.accessioned | 2024-12-18T00:37:44Z | - |
dc.date.available | 2024-12-18T00:37:44Z | - |
dc.date.issued | 2024-12-17 | - |
dc.identifier.citation | Media and Arts Law Review, v.26, p. 3-32 | en |
dc.identifier.issn | 1325-1570 | en |
dc.identifier.uri | https://hdl.handle.net/1959.11/64196 | - |
dc.description.abstract | <p>This article examines the relationship between copyright law, contractual rights and artists' experiences in the music industry through the lens of Taylor Swift. It analyses Swift's highly publicised legal dispute with her former label which led to her re-recording her initial six albums, creating what is known as 'Taylor's Version'. It argues that Swift's re-recording strategy pointed the way towards fairer artists' rights by drawing attention to the implications of copyright ownership and contracts in the music industry. Via examination of US and Australian copyright, contract law and moral rights, the article suggests that Swift's re-recording strategy and public advocacy have challenged industry norms and influenced conversations about artists' rights.</p> | en |
dc.language | en | en |
dc.publisher | LexisNexis Butterworths | en |
dc.relation.ispartof | Media and Arts Law Review | en |
dc.title | What Taylor Swift can teach us about copyright, contracts and moral rights: The story of ‘Taylor’s Version’ from an intellectual property perspective | en |
dc.type | Journal Article | en |
local.contributor.firstname | Wellett | en |
local.profile.school | School of Law | en |
local.profile.email | wpotter2@une.edu.au | en |
local.output.category | C1 | en |
local.record.place | au | en |
local.record.institution | University of New England | en |
local.publisher.place | Australia | en |
local.format.startpage | 3 | en |
local.format.endpage | 32 | en |
local.peerreviewed | Yes | en |
local.identifier.volume | 26 | en |
local.title.subtitle | The story of ‘Taylor’s Version’ from an intellectual property perspective | en |
local.contributor.lastname | Potter | en |
dc.identifier.staff | une-id:wpotter2 | en |
local.profile.orcid | 0000-0003-3534-4017 | en |
local.profile.role | author | en |
local.identifier.unepublicationid | une:1959.11/64196 | en |
dc.identifier.academiclevel | Academic | en |
local.title.maintitle | What Taylor Swift can teach us about copyright, contracts and moral rights | en |
local.output.categorydescription | C1 Refereed Article in a Scholarly Journal | en |
local.search.author | Potter, Wellett | en |
local.uneassociation | Yes | en |
local.atsiresearch | No | en |
local.sensitive.cultural | No | en |
local.year.published | 2024 | en |
local.subject.for2020 | 480499 Law in context not elsewhere classified | en |
local.subject.for2020 | 480499 Law in context not elsewhere classified | en |
local.subject.for2020 | 480603 Intellectual property law | en |
local.profile.affiliationtype | UNE Affiliation | en |
Appears in Collections: | Journal Article School of Law |
Items in Research UNE are protected by copyright, with all rights reserved, unless otherwise indicated.