Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/64196
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dc.contributor.authorPotter, Welletten
dc.date.accessioned2024-12-18T00:37:44Z-
dc.date.available2024-12-18T00:37:44Z-
dc.date.issued2024-12-17-
dc.identifier.citationMedia and Arts Law Review, v.26, p. 3-32en
dc.identifier.issn1325-1570en
dc.identifier.urihttps://hdl.handle.net/1959.11/64196-
dc.description.abstract<p>This article examines the relationship between copyright law, contractual rights and artists' experiences in the music industry through the lens of Taylor Swift. It analyses Swift's highly publicised legal dispute with her former label which led to her re-recording her initial six albums, creating what is known as 'Taylor's Version'. It argues that Swift's re-recording strategy pointed the way towards fairer artists' rights by drawing attention to the implications of copyright ownership and contracts in the music industry. Via examination of US and Australian copyright, contract law and moral rights, the article suggests that Swift's re-recording strategy and public advocacy have challenged industry norms and influenced conversations about artists' rights.</p>en
dc.languageenen
dc.publisherLexisNexis Butterworthsen
dc.relation.ispartofMedia and Arts Law Reviewen
dc.titleWhat Taylor Swift can teach us about copyright, contracts and moral rights: The story of ‘Taylor’s Version’ from an intellectual property perspectiveen
dc.typeJournal Articleen
local.contributor.firstnameWelletten
local.profile.schoolSchool of Lawen
local.profile.emailwpotter2@une.edu.auen
local.output.categoryC1en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.publisher.placeAustraliaen
local.format.startpage3en
local.format.endpage32en
local.peerreviewedYesen
local.identifier.volume26en
local.title.subtitleThe story of ‘Taylor’s Version’ from an intellectual property perspectiveen
local.contributor.lastnamePotteren
dc.identifier.staffune-id:wpotter2en
local.profile.orcid0000-0003-3534-4017en
local.profile.roleauthoren
local.identifier.unepublicationidune:1959.11/64196en
dc.identifier.academiclevelAcademicen
local.title.maintitleWhat Taylor Swift can teach us about copyright, contracts and moral rightsen
local.output.categorydescriptionC1 Refereed Article in a Scholarly Journalen
local.search.authorPotter, Welletten
local.uneassociationYesen
local.atsiresearchNoen
local.sensitive.culturalNoen
local.year.published2024en
local.subject.for2020480499 Law in context not elsewhere classifieden
local.subject.for2020480499 Law in context not elsewhere classifieden
local.subject.for2020480603 Intellectual property lawen
local.profile.affiliationtypeUNE Affiliationen
Appears in Collections:Journal Article
School of Law
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