Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/60314
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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Moss-Wellington, Wyatt | en |
local.source.editor | Editor(s): Kim Wilkins, Timotheus Vermeulen | en |
dc.date.accessioned | 2024-05-31T02:06:32Z | - |
dc.date.available | 2024-05-31T02:06:32Z | - |
dc.date.issued | 2022 | - |
dc.identifier.citation | ReFocus: The Films of Richard Linklater, p. 176-193 | en |
dc.identifier.isbn | 9781474493857 | en |
dc.identifier.isbn | 9781474493840 | en |
dc.identifier.isbn | 9781474493826 | en |
dc.identifier.uri | https://hdl.handle.net/1959.11/60314 | - |
dc.description.abstract | <p>In serial memory processing, the first and last items in a memory set are easier to recall than those in the middle" researchers find that people generally recollect details at the beginning and end of lists of information more quickly, and with greater accuracy. This is known as the serial position effect, constitutive of a pair of cognitive biases that together hold implications for our understanding of narrative: privileged recall of "prime" information is known as the primacy effect, while recall of the most "recent" information is known as the recency effect. Information from the beginning and ending of a filmed narrative is similarly privileged in memory due to such a primacy-recency sequencing, and this temporal dimension can inform accounts of a spectator's experience of narrative, implicating the ways in which stories work with our cognitive biases in order to make causal sense.</p> | en |
dc.language | en | en |
dc.publisher | Edinburgh University Press | en |
dc.relation.ispartof | ReFocus: The Films of Richard Linklater | en |
dc.relation.ispartofseries | ReFocus: The American Directors Series | en |
dc.title | Richard Linklater’s Humanism: Moral Primacy, Recency Effects and SubUrbia | en |
dc.type | Book Chapter | en |
local.contributor.firstname | Wyatt | en |
local.profile.school | School of Humanities, Arts and Social Sciences | en |
local.profile.email | wmosswel@une.edu.au | en |
local.output.category | B1 | en |
local.record.place | au | en |
local.record.institution | University of New England | en |
local.publisher.place | Edinburgh, Scotland | en |
local.identifier.totalchapters | 12 | en |
local.format.startpage | 176 | en |
local.format.endpage | 193 | en |
local.title.subtitle | Moral Primacy, Recency Effects and SubUrbia | en |
local.contributor.lastname | Moss-Wellington | en |
dc.identifier.staff | une-id:wmosswel | en |
local.profile.orcid | 0000-0002-6799-4439 | en |
local.profile.role | author | en |
local.identifier.unepublicationid | une:1959.11/60314 | en |
dc.identifier.academiclevel | Academic | en |
local.title.maintitle | Richard Linklater’s Humanism | en |
local.output.categorydescription | B1 Chapter in a Scholarly Book | en |
local.relation.url | https://edinburghuniversitypress.com/book-refocus-the-films-of-richard-linklater.html | en |
local.search.author | Moss-Wellington, Wyatt | en |
local.uneassociation | Yes | en |
local.atsiresearch | No | en |
local.sensitive.cultural | No | en |
local.year.published | 2022 | en |
local.fileurl.closedpublished | https://rune.une.edu.au/web/retrieve/a34c2d68-a5b8-4efd-b439-096b05adbe08 | en |
local.subject.for2020 | 500306 Ethical theory | en |
local.subject.for2020 | 500312 Philosophy of cognition | en |
local.subject.for2020 | 360501 Cinema studies | en |
local.codeupdate.date | 2024-08-01T11:14:07.385 | en |
local.codeupdate.eperson | wmosswel@une.edu.au | en |
local.codeupdate.finalised | true | en |
local.original.for2020 | 3605 Screen and digital media | en |
local.profile.affiliationtype | UNE Affiliation | en |
local.date.moved | 2024-06-04 | en |
Appears in Collections: | Book Chapter School of Humanities, Arts and Social Sciences |
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