Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/60062
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Moss-Wellington, Wyatt | en |
dc.date.accessioned | 2024-05-27T06:01:48Z | - |
dc.date.available | 2024-05-27T06:01:48Z | - |
dc.date.issued | 2019-05 | - |
dc.identifier.citation | ReFocus: The Films of Spike Jonze | en |
dc.identifier.isbn | 9781474447638 | en |
dc.identifier.isbn | 9781474447645 | en |
dc.identifier.isbn | 9781474447621 | en |
dc.identifier.isbn | 9781474447652 | en |
dc.identifier.uri | https://hdl.handle.net/1959.11/60062 | - |
dc.description.abstract | <p>FADE IN:</p><p>INT. THE SET OF THEODORE TWOMBLY'S (JOAQUIN PHOENIX) OFFICE FROM HER—AFTERNOON</p><p>Various production personnel wander the set looking officious. Out the windows, Shanghai extends infinitely in every direction. Wyatt (thirty-something, sprightly, dashing) and Spike (shifty, tired, having agreed to too many publicity commitments) are walking side by side, mid conversation. Spike's publicist (a woman in her early forties) trails them wordlessly and a little disinterestedly.</p> | en |
dc.language | en | en |
dc.publisher | Edinburgh University Press | en |
dc.relation.ispartof | ReFocus: The Films of Spike Jonze | en |
dc.relation.ispartofseries | ReFocus: The American Directors Series | en |
dc.title | Spike Jonze’s Screenwriting: The Screenplay | en |
dc.type | Book Chapter | en |
local.contributor.firstname | Wyatt | en |
local.profile.school | School of Humanities, Arts and Social Sciences | en |
local.profile.email | wmosswel@une.edu.au | en |
local.output.category | B1 | en |
local.record.place | au | en |
local.record.institution | University of New England | en |
local.publisher.place | United Kingdom | en |
local.peerreviewed | Yes | en |
local.title.subtitle | The Screenplay | en |
local.contributor.lastname | Moss-Wellington | en |
dc.identifier.staff | une-id:wmosswel | en |
local.profile.orcid | 0000-0002-6799-4439 | en |
local.profile.role | author | en |
local.identifier.unepublicationid | une:1959.11/60062 | en |
dc.identifier.academiclevel | Academic | en |
local.title.maintitle | Spike Jonze’s Screenwriting | en |
local.output.categorydescription | B1 Chapter in a Scholarly Book | en |
local.relation.url | https://edinburghuniversitypress.com/book-refocus-the-films-of-spike-jonze.html | en |
local.search.author | Moss-Wellington, Wyatt | en |
local.uneassociation | No | en |
local.atsiresearch | No | en |
local.isrevision | No | en |
local.sensitive.cultural | No | en |
local.year.published | 2019 | en |
local.fileurl.closedpublished | https://rune.une.edu.au/web/retrieve/81dbe76b-d000-425d-9198-577ef61795df | en |
local.subject.for2020 | 360201 Creative writing (incl. scriptwriting) | en |
local.subject.for2020 | 360501 Cinema studies | en |
local.codeupdate.date | 2024-08-01T11:19:15.447 | en |
local.codeupdate.eperson | wmosswel@une.edu.au | en |
local.codeupdate.finalised | true | en |
local.original.for2020 | 3605 Screen and digital media | en |
local.profile.affiliationtype | External Affiliation | en |
local.date.moved | 2024-08-19 | en |
Appears in Collections: | Book Chapter School of Humanities, Arts and Social Sciences |
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