Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/58593
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Wilkins, Kim | en |
dc.contributor.author | Moss-Wellington, Wyatt | en |
local.source.editor | Editor(s): Kim Wilkins and Wyatt Moss-Wellington | en |
dc.date.accessioned | 2024-04-23T05:31:31Z | - |
dc.date.available | 2024-04-23T05:31:31Z | - |
dc.date.issued | 2019-10 | - |
dc.identifier.citation | ReFocus: The Films of Spike Jonze, p. 1-12 | en |
dc.identifier.isbn | 9781474447638 | en |
dc.identifier.isbn | 9781474447645 | en |
dc.identifier.isbn | 9781474447621 | en |
dc.identifier.uri | https://hdl.handle.net/1959.11/58593 | - |
dc.description.abstract | <p>Wilkins and Moss-Wellington describe Spike Jonze's emergence as a unique voice in American filmmaking at the turn of the millennium, analysing the way his work crosses boundaries between philosophy and genre entertainment, commercial and subversive imperatives, independent and Hollywood modes of production, short work and features. After broadly surveying Jonze's career and articulating its importance within film studies, the ensuing chapters are introduced.</p> | en |
dc.language | en | en |
dc.publisher | Edinburgh University Press | en |
dc.relation.ispartof | ReFocus: The Films of Spike Jonze | en |
dc.title | Introduction: Jonze Between the Lines | en |
dc.type | Book Chapter | en |
dc.identifier.doi | 10.3366/edinburgh/9781474447621.003.0001 | en |
local.contributor.firstname | Kim | en |
local.contributor.firstname | Wyatt | en |
local.profile.school | School of Humanities, Arts and Social Sciences | en |
local.profile.email | wmosswel@une.edu.au | en |
local.output.category | B1 | en |
local.record.place | au | en |
local.record.institution | University of New England | en |
local.publisher.place | United Kingdom | en |
local.format.startpage | 1 | en |
local.format.endpage | 12 | en |
local.peerreviewed | Yes | en |
local.title.subtitle | Jonze Between the Lines | en |
local.contributor.lastname | Wilkins | en |
local.contributor.lastname | Moss-Wellington | en |
dc.identifier.staff | une-id:wmosswel | en |
local.profile.orcid | 0000-0002-6799-4439 | en |
local.profile.role | author | en |
local.profile.role | author | en |
local.identifier.unepublicationid | une:1959.11/58593 | en |
dc.identifier.academiclevel | Academic | en |
dc.identifier.academiclevel | Academic | en |
local.title.maintitle | Introduction | en |
local.output.categorydescription | B1 Chapter in a Scholarly Book | en |
local.search.author | Wilkins, Kim | en |
local.search.author | Moss-Wellington, Wyatt | en |
local.uneassociation | No | en |
local.atsiresearch | No | en |
local.sensitive.cultural | No | en |
local.year.published | 2019 | en |
local.fileurl.closedpublished | https://rune.une.edu.au/web/retrieve/1b02aa31-27e8-44a4-aecf-0f4c9ae9275e | en |
local.subject.for2020 | 470204 Cultural and creative industries | en |
local.subject.for2020 | 470214 Screen and media culture | en |
local.subject.for2020 | 470204 Cultural and creative industries | en |
local.codeupdate.date | 2024-08-01T11:11:12.112 | en |
local.codeupdate.eperson | wmosswel@une.edu.au | en |
local.codeupdate.finalised | true | en |
local.original.for2020 | 3605 Screen and digital media | en |
local.original.seo2020 | tbd | en |
local.profile.affiliationtype | External Affiliation | en |
local.profile.affiliationtype | External Affiliation | en |
local.date.moved | 2024-08-19 | en |
Appears in Collections: | Book Chapter School of Humanities, Arts and Social Sciences |
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