Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/5647
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dc.contributor.authorShaw, Jenniferen
dc.date.accessioned2010-04-20T09:17:00Z-
dc.date.copyright2004/2005-
dc.date.issued2005-
dc.identifier.citationMusicology Australia, v.27, p. 6-6en
dc.identifier.issn1949-453Xen
dc.identifier.issn0814-5857en
dc.identifier.urihttps://hdl.handle.net/1959.11/5647-
dc.description.abstractMusic creation, re-discovery, preservation, re-organization and interpretation are themes running through many contributions in this richly diverse volume of Musicology Australia. Janice Stockigt gives an overview of the contents and significance of a recently discovered, eighteenth-century music catalogue; an important document, both ill terms of its archival value and also for its role in helping scholars to recreate liturgical music practices in Saxony and to trace the repertoire's transmission and dissemination. Focusing on more recent repertoire, David Lockett discusses some of the problems and choices with which he was confronted as both editor and performer of Margaret Sutherland's music for solo piano: the role of the editor is also discussed in reviews by Roger Covell, Maria McHale, Jennifer Nevile and David Symons. John Napier examines the powerful rhetoric of tradition and lineage that has shaped the changing role of the harmonium player in North Indian classical music. The importance of language and place in shaping music-making and music interpretation arc taken up in reviews by Craig De Wilde, Peter DunbarHall, Denis Collins, Margaret Gummow, Rosalind Halton and Judy Lochhead and in the feature article by Tony Seeger. In a wide-ranging discussion of changes over the last thirty-five years in audiovisual recording technology and archival practices, Professor Seeger reflects on his role in preserving and shaping important music collections held by Indiana University and the Smithsonian and in disseminating music from those collections. He also relates the crucial role his own research within Suya Indian communities in Brazil has played in those communities' recent claims for land rights and political autonomy.en
dc.languageenen
dc.publisherMusicological Society of Australia Incen
dc.relation.ispartofMusicology Australiaen
dc.titleEditorial: Musicology Australiaen
dc.typeJournal Articleen
dc.subject.keywordsMusicology and Ethnomusicologyen
local.contributor.firstnameJenniferen
local.subject.for2008190409 Musicology and Ethnomusicologyen
local.subject.seo2008950101 Musicen
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.emailjshaw9@une.edu.auen
local.output.categoryC6en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.identifier.epublicationsrecordune-20100330-15425en
local.publisher.placeAustraliaen
local.format.startpage6en
local.format.endpage6en
local.identifier.volume27en
local.title.subtitleMusicology Australiaen
local.contributor.lastnameShawen
dc.identifier.staffune-id:jshaw9en
local.profile.roleeditoren
local.identifier.unepublicationidune:5781en
dc.identifier.academiclevelAcademicen
local.title.maintitleEditorialen
local.output.categorydescriptionC6 Editorship of a Scholarly Journalen
local.relation.urlhttp://www.msa.org.au/ma.htm#XXVII2004-2005en
local.search.authorShaw, Jenniferen
local.uneassociationUnknownen
local.year.published2005en
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