Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/4861
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dc.contributor.authorNoble, Louiseen
dc.date.accessioned2010-03-04T15:38:00Z-
dc.date.issued2003-
dc.identifier.citationPresented at the 11th Annual Conference for the Group for Early Modern Cultural Studies (GEMCS): 'History, Authority, Performance'en
dc.identifier.urihttps://hdl.handle.net/1959.11/4861-
dc.description.abstractHistory is at the center of figurative language, which is anchored in its own cultural moment but is also an evolving product of its own linguistic past and temporal relations. In this paper I argue that a consideration of figurative language, understood as an ideologically significant cultural practice, is essential to any discussion of the relation of literary form to the new historicist project. If we contemplate the notion that literary form is the index of history, then figurative language is its mode of record. Our world is constituted figuratively; the tensions, fissures and paradoxes created by the competing figurations that frequently disturb early modern literary texts, and the contradictions and anxieties of the society and culture to which these texts belong, are deeply implicated in one another.en
dc.languageenen
dc.relation.ispartofPresented at the 11th Annual Conference for the Group for Early Modern Cultural Studies (GEMCS): 'History, Authority, Performance'en
dc.title'Wherefore sweetheart? What's your metaphor?': Figurative Language and the Historical Work of the Literary Texten
dc.typeConference Publicationen
dc.relation.conferenceGEMCS 2003: 11th Annual Conference for the Group for Early Modern Cultural Studies: 'History, Authority, Performance'en
dc.subject.keywordsLiterary Studiesen
local.contributor.firstnameLouiseen
local.subject.for2008200599 Literary Studies not elsewhere classifieden
local.subject.seo2008950199 Arts and Leisure not elsewhere classifieden
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.emaillnoble2@une.edu.auen
local.output.categoryE3en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.identifier.epublicationsrecordpes:1299en
local.date.conference23rd - 26th October, 2003en
local.conference.placeNewport Beach, United States of Americaen
local.title.subtitleFigurative Language and the Historical Work of the Literary Texten
local.contributor.lastnameNobleen
dc.identifier.staffune-id:lnoble2en
local.profile.orcid0000-0002-7094-6833en
local.profile.roleauthoren
local.identifier.unepublicationidune:4977en
dc.identifier.academiclevelAcademicen
local.title.maintitle'Wherefore sweetheart? What's your metaphor?'en
local.output.categorydescriptionE3 Extract of Scholarly Conference Publicationen
local.relation.urlhttp://www.phil-hum-ren.uni-muenchen.de/CFPs/cfp200301311.htmen
local.conference.detailsGEMCS 2003: 11th Annual Conference for the Group for Early Modern Cultural Studies: 'History, Authority, Performance', Newport Beach, United States of America, 23rd - 26th October, 2003en
local.search.authorNoble, Louiseen
local.uneassociationUnknownen
local.year.published2003en
local.date.start2003-10-23-
local.date.end2003-10-26-
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