Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/34388
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Blackburn, Alana | en |
local.source.editor | Editor(s): Renee Timmers, Freya Bailes and Helena Daffern | en |
dc.date.accessioned | 2022-01-05T00:01:47Z | - |
dc.date.available | 2022-01-05T00:01:47Z | - |
dc.date.issued | 2021 | - |
dc.identifier.citation | Together in Music: Coordination, expression, participation, p. 71-76 | en |
dc.identifier.isbn | 9780198860761 | en |
dc.identifier.uri | https://hdl.handle.net/1959.11/34388 | - |
dc.description.abstract | <p>Group identity is viewed as a way to distinguish one group from another. In a competitive, ever-changing environment, group identity is considered increasingly important for a musical ensemble in terms of developing a niche, gaining audience attention, and creating a successful performing team. Thirty professional chamber musicians from "unconventional" or "non-traditional" ensembles were individually interviewed about their personal experiences working within this environment. Results show that group identity emerges in two main ways: members sharing similar characteristics, goals, and objectives, often based on repertoire choice and programming; and the sound or musical aesthetic developed through an interpretation of repertoire, instrumental combination, and the collective skills and knowledge of the musicians. This case study highlights the need for a constant vision and aesthetic concept throughout the lifetime of the ensemble in order for it to be sustainable, yet having to evolve and adapt to changing environmental factors and external influences.</p> | en |
dc.language | en | en |
dc.publisher | Oxford University Press | en |
dc.relation.ispartof | Together in Music: Coordination, expression, participation | en |
dc.relation.isversionof | 1 | en |
dc.title | The impact of group identity on the social dynamics and sustainability of chamber music ensembles | en |
dc.type | Book Chapter | en |
dc.identifier.doi | 10.1093/oso/9780198860761.003.0009 | en |
local.contributor.firstname | Alana | en |
local.profile.school | School of Humanities, Arts and Social Sciences | en |
local.profile.email | ablackb6@une.edu.au | en |
local.output.category | B1 | en |
local.record.place | au | en |
local.record.institution | University of New England | en |
local.publisher.place | Oxford, United Kingdom | en |
local.identifier.totalchapters | 36 | en |
local.format.startpage | 71 | en |
local.format.endpage | 76 | en |
local.peerreviewed | Yes | en |
local.contributor.lastname | Blackburn | en |
dc.identifier.staff | une-id:ablackb6 | en |
local.profile.orcid | 0000-0001-6738-2718 | en |
local.profile.role | author | en |
local.identifier.unepublicationid | une:1959.11/34388 | en |
local.date.onlineversion | 2021-11 | - |
dc.identifier.academiclevel | Academic | en |
local.title.maintitle | The impact of group identity on the social dynamics and sustainability of chamber music ensembles | en |
local.output.categorydescription | B1 Chapter in a Scholarly Book | en |
local.search.author | Blackburn, Alana | en |
local.uneassociation | Yes | en |
local.atsiresearch | No | en |
local.isrevision | No | en |
local.sensitive.cultural | No | en |
local.year.available | 2021 | en |
local.year.published | 2021 | en |
local.fileurl.closedpublished | https://rune.une.edu.au/web/retrieve/bede569e-654e-46a9-9ec5-1525533e012d | en |
local.subject.for2020 | 360301 Music cognition | en |
local.subject.for2020 | 360304 Music performance | en |
local.subject.seo2020 | 130102 Music | en |
local.relation.worldcat | http://www.worldcat.org/oclc/1259048395 | en |
Appears in Collections: | Book Chapter School of Humanities, Arts and Social Sciences |
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