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Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/31083
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DC FieldValueLanguage
dc.contributor.authorHopgood, Fincinaen
local.source.editorEditor(s): Adrian Danks, Stephen Gaunson and Peter C Kunzeen
dc.date.accessioned2021-07-21T06:20:20Z-
dc.date.available2021-07-21T06:20:20Z-
dc.date.issued2018-
dc.identifier.citationAmerican-Australian Cinema: Transnational Connections, p. 91-114en
dc.identifier.isbn9783319666761en
dc.identifier.isbn9783319666754en
dc.identifier.isbn9783319882987en
dc.identifier.urihttps://hdl.handle.net/1959.11/31083-
dc.description.abstractSince her breakthrough role in <i>Muriel's Wedding</i> in 1994, Toni Collette has forged a career spanning the Australian and American screen industries. Favoring emotionally and physically challenging parts rather than glamorous roles, Collette has crafted an anti-star persona by playing women living with mental illness or psychological trauma, or mothers caring for family members with mental health issues. Chapter 4 discusses key films that helped establish Collette's anti-star persona and explores the thematic and cultural resonances across these films, which share an interest in mental health and complex portrayals of motherhood. Toni Collette's career offers a case study of the role (and roles) that Australian actors play in global Hollywood cinema and how these performances influence and shape contemporary Australian film.en
dc.languageenen
dc.publisherPalgrave Macmillanen
dc.relation.ispartofAmerican-Australian Cinema: Transnational Connectionsen
dc.relation.isversionof1en
dc.titleOf Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette's Anti-Star Personaen
dc.typeBook Chapteren
dc.identifier.doi10.1007/978-3-319-66676-1_5en
local.contributor.firstnameFincinaen
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.emailfhopgood@une.edu.auen
local.output.categoryB1en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.publisher.placeCham, Switzerlanden
local.identifier.totalchapters14en
local.format.startpage91en
local.format.endpage114en
local.identifier.scopusid85045728672en
local.peerreviewedYesen
local.title.subtitleMining the Emotional Terrain of Toni Collette's Anti-Star Personaen
local.contributor.lastnameHopgooden
dc.identifier.staffune-id:fhopgooden
local.profile.orcid0000-0003-1505-9956en
local.profile.roleauthoren
local.identifier.unepublicationidune:1959.11/31083en
local.date.onlineversion2018-01-30-
dc.identifier.academiclevelAcademicen
local.title.maintitleOf Mothers and Madwomenen
local.output.categorydescriptionB1 Chapter in a Scholarly Booken
local.search.authorHopgood, Fincinaen
local.uneassociationYesen
local.atsiresearchNoen
local.isrevisionNoen
local.sensitive.culturalNoen
local.year.available2018en
local.year.published2018en
local.fileurl.closedpublishedhttps://rune.une.edu.au/web/retrieve/7a1e9fea-9527-41ee-948e-ad9c43384e25en
local.subject.for2020360403 Drama, theatre and performance studiesen
local.subject.for2020360505 Screen mediaen
local.subject.for2020470214 Screen and media cultureen
local.subject.seo2020130204 The mediaen
local.subject.seo2020200409 Mental healthen
local.subject.seo2020130104 The performing artsen
local.relation.worldcathttp://www.worldcat.org/oclc/1085144437en
Appears in Collections:Book Chapter
School of Humanities, Arts and Social Sciences
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