Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/31029
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dc.contributor.authorTurner, Andrew Jen
dc.contributor.authorTorello-Hill, Giuliaen
local.source.editorEditor(s): Andrew J Turner and Giulia Torello-Hillen
dc.date.accessioned2021-07-14T04:21:01Z-
dc.date.available2021-07-14T04:21:01Z-
dc.date.issued2015-05-22-
dc.identifier.citationTerence between Late Antiquity and the Age of Printing: Illustration, Commentary and Performance, p. 1-12en
dc.identifier.isbn9789004289499en
dc.identifier.isbn9789004288805en
dc.identifier.urihttps://hdl.handle.net/1959.11/31029-
dc.description.abstractPublius Terentius Afer, or Terence, was one of the most popular classical Latin authors of the Middle Ages and Renaissance. Some 741 Latin manuscripts of his six plays are now known,1 and of these 122 or so can be dated to the period 800-1200 CE.2 By the end of Late Antiquity he had taken his place alongside Cicero, Vergil, and Sallust as one of the four standard Latin authors to be studied in schools, the so-called <i>quadriga</i> of Arusianus Messius. His popularity as a teaching text persisted throughout the next 1000 years, and in 1486 his play <i>Eunuchus</i> became one of the earliest classical Latin works to be translated into a contemporary German dialect, and diffused to mass audiences by means of the newly invented printing press. The wider dissemination of his plays in fact determined his return to the stage, first of all in Italy during the last decades of the fifteenth century.en
dc.languageenen
dc.publisherKoninklijke Brill NVen
dc.relation.ispartofTerence between Late Antiquity and the Age of Printing: Illustration, Commentary and Performanceen
dc.relation.ispartofseriesMetaformsen
dc.relation.isversionof1en
dc.titleIntroductionen
dc.typeBook Chapteren
dc.identifier.doi10.1163/9789004289499_002en
local.contributor.firstnameAndrew Jen
local.contributor.firstnameGiuliaen
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.emailgtorello@une.edu.auen
local.output.categoryB1en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.publisher.placeLeiden, Netherlandsen
local.identifier.totalchapters10en
local.format.startpage1en
local.format.endpage12en
local.series.issn2212-9405en
local.series.number4en
local.peerreviewedYesen
local.contributor.lastnameTurneren
local.contributor.lastnameTorello-Hillen
local.seriespublisherKoninklijke Brill NVen
local.seriespublisher.placeLeiden, The Netherlandsen
dc.identifier.staffune-id:gtorelloen
local.profile.roleauthoren
local.profile.roleauthoren
local.identifier.unepublicationidune:1959.11/31029en
local.date.onlineversion2015-05-19-
dc.identifier.academiclevelAcademicen
dc.identifier.academiclevelAcademicen
local.title.maintitleIntroductionen
local.output.categorydescriptionB1 Chapter in a Scholarly Booken
local.search.authorTurner, Andrew Jen
local.search.authorTorello-Hill, Giuliaen
local.uneassociationUnknownen
local.atsiresearchNoen
local.isrevisionNoen
local.sensitive.culturalNoen
local.year.available2015en
local.year.published2015en
local.fileurl.closedpublishedhttps://rune.une.edu.au/web/retrieve/c372f79b-5e0c-47e8-afed-f63cc84e9d0cen
local.subject.for2020470518 Literature in Italianen
local.subject.for2020470513 Latin and classical Greek literatureen
local.subject.seo2020130104 The performing artsen
local.subject.seo2020130704 Understanding Europe’s pasten
local.relation.worldcathttp://www.worldcat.org/oclc/1105494566en
Appears in Collections:Book Chapter
School of Humanities, Arts and Social Sciences
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