Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/27953
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dc.contributor.authorPorter, Glennen
dc.date.accessioned2020-01-17T05:07:54Z-
dc.date.available2020-01-17T05:07:54Z-
dc.date.issued2014-
dc.identifier.citationMcGraw-Hill Yearbook of Science & Technology 2014, p. 124-129en
dc.identifier.isbn9780071831062en
dc.identifier.isbn0071831061en
dc.identifier.urihttps://hdl.handle.net/1959.11/27953-
dc.description.abstractIn general terms, forensic photography can be described as any type of photography and imaging that pertains to the law. This means photographs taken by police and forensic investigators for the purpose of expressing evidence and concepts in court or used during the forensic analysis of physical evidence. However, the expression forensic photography has several different meanings, depending on the discipline for which it is used. Forensic photography may include the following practices: 1. Crime scene photography 2. Scientific photography 3. Optical enhancement of evidence 4. Detection of latent (invisible) evidence 5. Interpretation of photographs as forensic evidence 6. Detection of photographic fakery 7. Production of visual media for court presentation (photographs, posters and charts, and so on). This article will examine several different forms of forensic photography and describe the fundamental framework around forensic photography practices and their principles. The majority of images used in this article are those of shoe.mark evidence, used to highlight the level of variation of approaches within forensic photography as a discipline.en
dc.languageenen
dc.publisherMcGraw-Hill Educationen
dc.relation.ispartofMcGraw-Hill Yearbook of Science & Technology 2014en
dc.relation.isversionof1en
dc.titleForensic Photographyen
dc.typeBook Chapteren
local.contributor.firstnameGlennen
local.subject.for2008160204 Criminological Theoriesen
local.subject.for2008190503 Lens-based Practiceen
local.subject.for2008190104 Visual Culturesen
local.subject.seo2008940499 Justice and the Law not elsewhere classifieden
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.emailgporter4@une.edu.auen
local.output.categoryB1en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.publisher.placeNew York, United States of Americaen
local.format.startpage124en
local.format.endpage129en
local.series.issn0076-2016en
local.peerreviewedYesen
local.contributor.lastnamePorteren
dc.identifier.staffune-id:gporter4en
local.profile.roleauthoren
local.identifier.unepublicationidune:1959.11/27953en
dc.identifier.academiclevelAcademicen
local.title.maintitleForensic Photographyen
local.output.categorydescriptionB1 Chapter in a Scholarly Booken
local.relation.urlhttps://mhprofessionalresources.com/search_results_category.php?catcode=117-3705-3078en
local.search.authorPorter, Glennen
local.istranslatedNoen
local.uneassociationNoen
local.atsiresearchNoen
local.isrevisionNoen
local.sensitive.culturalNoen
local.year.published2014en
local.fileurl.closedpublishedhttps://rune.une.edu.au/web/retrieve/062833a0-ddbd-4806-b704-6f5178ceccffen
local.subject.for2020440205 Criminological theoriesen
local.subject.for2020360604 Photography, video and lens-based practiceen
local.subject.for2020360104 Visual culturesen
local.subject.seo2020230499 Justice and the law not elsewhere classifieden
local.relation.worldcathttp://www.worldcat.org/oclc/861356487en
local.relation.worldcathttp://www.worldcat.org/oclc/966063774en
Appears in Collections:Book Chapter
School of Humanities, Arts and Social Sciences
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