Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/27813
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dc.contributor.authorVan den Tol, Annemieke J Men
dc.contributor.authorEdwards, Janeen
dc.date.accessioned2019-11-21T03:13:13Z-
dc.date.available2019-11-21T03:13:13Z-
dc.date.issued2013-07-01-
dc.identifier.citationPsychology of Music, 41(4), p. 440-465en
dc.identifier.issn1741-3087en
dc.identifier.issn0305-7356en
dc.identifier.urihttps://hdl.handle.net/1959.11/27813-
dc.description.abstractChoosing to listen to self-identified sad music after experiencing negative psychological circumstances seems paradoxical given the commonly-held view that people are motivated to seek a positive affective state when distressed. We examined the motivations people described to listen to music they identified as sad, particularly when experiencing negative circumstances, and the self-reported effects of this activity. We asked adults to respond to an online survey and analyzed their narrative reports using a modified grounded theory approach. Responses were received from 65 adults across five countries. The process that underlies choosing to listen to sad music as well as the self-regulatory strategies and functions of sad music were identified. The music-selection strategies included: connection; selecting music based on memory triggers; high aesthetic value; and message communicated. The functions of these strategies were in the domains of (re-)experiencing affect, cognitive, social, retrieving memories, friend, distraction, and mood enhancement. We additionally modelled the underlying psychological process that guides sad music listening behaviour and the effects of listening. These findings present core insights into the dynamics and value of choosing to listen to self-identified sad music when coping with negative psychological circumstances.en
dc.languageenen
dc.publisherSage Publications Ltden
dc.relation.ispartofPsychology of Musicen
dc.titleExploring a rationale for choosing to listen to sad music when feeling saden
dc.typeJournal Articleen
dc.identifier.doi10.1177/0305735611430433en
local.contributor.firstnameAnnemieke J Men
local.contributor.firstnameJaneen
local.subject.for2008170112 Sensory Processes, Perception and Performanceen
local.subject.seo2008950101 Musicen
local.profile.schoolOffice of Faculty of HASS and Educationen
local.profile.emailjedwar51@une.edu.auen
local.output.categoryC1en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.publisher.placeUnited Kingdomen
local.format.startpage440en
local.format.endpage465en
local.identifier.scopusid84880242276en
local.peerreviewedYesen
local.identifier.volume41en
local.identifier.issue4en
local.contributor.lastnameVan den Tolen
local.contributor.lastnameEdwardsen
dc.identifier.staffune-id:jedwar51en
local.profile.orcid0000-0002-2705-8478en
local.profile.roleauthoren
local.profile.roleauthoren
local.identifier.unepublicationidune:1959.11/27813en
local.date.onlineversion2011-12-21-
dc.identifier.academiclevelAcademicen
dc.identifier.academiclevelAcademicen
local.title.maintitleExploring a rationale for choosing to listen to sad music when feeling saden
local.output.categorydescriptionC1 Refereed Article in a Scholarly Journalen
local.search.authorVan den Tol, Annemieke J Men
local.search.authorEdwards, Janeen
local.istranslatedNoen
local.uneassociationNoen
local.atsiresearchNoen
local.sensitive.culturalNoen
local.year.available2011en
local.year.published2013en
local.fileurl.closedpublishedhttps://rune.une.edu.au/web/retrieve/b83b20a7-eba1-45dd-a5bd-275f8ce6204den
local.subject.for2020520406 Sensory processes, perception and performanceen
local.subject.seo2020130102 Musicen
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