Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/23239
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dc.contributor.authorGriggs, Yvonneen
local.source.editorEditor(s): Dennis Cutchins, Katya Krebs and Eckart Voigtsen
dc.date.accessioned2018-06-12T12:21:00Z-
dc.date.issued2018-
dc.identifier.citationThe Routledge Companion to Adaptation, p. 278-286en
dc.identifier.isbn9781138915404en
dc.identifier.isbn9781315690254en
dc.identifier.urihttps://hdl.handle.net/1959.11/23239-
dc.description.abstractNordic NoirTV crime drama foregrounds its Scandinavian identity, its particular noir-like mode of audiovisual expression, its complex long-form narrative, and its in-depth character studies, and though its national markers are an intrinsic part of its identity, it offers a branding template that has the capacity for cultural and geographical makeover on a global scale. With its roots in Scandinavian crime fiction dating back to the early twentieth century, the term Nordic Noir has become synonymous in contemporary times with quality television. First coined, according to Gunhild Agger, by the Scandinavian Department at University College London, and given mainstream exposure in a BBC documentary titled Nordic Noir: The Story of Scandinavian Crime Fiction (2016:138), the label Nordic Nair has since been adopted by reviewers, audiences, and production companies alike to classify film and television dramas that share a certain generic DNA, most readily aligned with crime drama and invariably employing a noir-style aesthetic.en
dc.languageenen
dc.publisherRoutledgeen
dc.relation.ispartofThe Routledge Companion to Adaptationen
dc.relation.isversionof1en
dc.titleReconfiguring the Nordic Noir Brand: Nordic Noir TV crime drama as remakeen
dc.typeBook Chapteren
dc.subject.keywordsFilm and Televisionen
dc.subject.keywordsScreen and Media Cultureen
dc.subject.keywordsMedia Studiesen
local.contributor.firstnameYvonneen
local.subject.for2008190204 Film and Televisionen
local.subject.for2008200212 Screen and Media Cultureen
local.subject.for2008200104 Media Studiesen
local.subject.seo2008959999 Cultural Understanding not elsewhere classifieden
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.emailygriggs@une.edu.auen
local.output.categoryB1en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.identifier.epublicationsrecordune-20180416-15293en
local.publisher.placeLondon, United Kingdomen
local.identifier.totalchapters28en
local.format.startpage278en
local.format.endpage286en
local.peerreviewedYesen
local.title.subtitleNordic Noir TV crime drama as remakeen
local.contributor.lastnameGriggsen
dc.identifier.staffune-id:ygriggsen
local.profile.orcid0000-0001-9085-1164en
local.profile.roleauthoren
local.identifier.unepublicationidune:23423en
dc.identifier.academiclevelAcademicen
local.title.maintitleReconfiguring the Nordic Noir Branden
local.output.categorydescriptionB1 Chapter in a Scholarly Booken
local.relation.urlhttps://nla.gov.au/anbd.bib-an62189035en
local.search.authorGriggs, Yvonneen
local.uneassociationUnknownen
local.year.published2018en
local.fileurl.closedpublishedhttps://rune.une.edu.au/web/retrieve/0c511358-79eb-4611-a9a5-ed617bb29b23en
local.subject.for2020360505 Screen mediaen
local.subject.for2020470214 Screen and media cultureen
local.subject.for2020470107 Media studiesen
local.subject.seo2020139999 Other culture and society not elsewhere classifieden
Appears in Collections:Book Chapter
School of Humanities, Arts and Social Sciences
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