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https://hdl.handle.net/1959.11/23239
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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Griggs, Yvonne | en |
local.source.editor | Editor(s): Dennis Cutchins, Katya Krebs and Eckart Voigts | en |
dc.date.accessioned | 2018-06-12T12:21:00Z | - |
dc.date.issued | 2018 | - |
dc.identifier.citation | The Routledge Companion to Adaptation, p. 278-286 | en |
dc.identifier.isbn | 9781138915404 | en |
dc.identifier.isbn | 9781315690254 | en |
dc.identifier.uri | https://hdl.handle.net/1959.11/23239 | - |
dc.description.abstract | Nordic NoirTV crime drama foregrounds its Scandinavian identity, its particular noir-like mode of audiovisual expression, its complex long-form narrative, and its in-depth character studies, and though its national markers are an intrinsic part of its identity, it offers a branding template that has the capacity for cultural and geographical makeover on a global scale. With its roots in Scandinavian crime fiction dating back to the early twentieth century, the term Nordic Noir has become synonymous in contemporary times with quality television. First coined, according to Gunhild Agger, by the Scandinavian Department at University College London, and given mainstream exposure in a BBC documentary titled Nordic Noir: The Story of Scandinavian Crime Fiction (2016:138), the label Nordic Nair has since been adopted by reviewers, audiences, and production companies alike to classify film and television dramas that share a certain generic DNA, most readily aligned with crime drama and invariably employing a noir-style aesthetic. | en |
dc.language | en | en |
dc.publisher | Routledge | en |
dc.relation.ispartof | The Routledge Companion to Adaptation | en |
dc.relation.isversionof | 1 | en |
dc.title | Reconfiguring the Nordic Noir Brand: Nordic Noir TV crime drama as remake | en |
dc.type | Book Chapter | en |
dc.subject.keywords | Film and Television | en |
dc.subject.keywords | Screen and Media Culture | en |
dc.subject.keywords | Media Studies | en |
local.contributor.firstname | Yvonne | en |
local.subject.for2008 | 190204 Film and Television | en |
local.subject.for2008 | 200212 Screen and Media Culture | en |
local.subject.for2008 | 200104 Media Studies | en |
local.subject.seo2008 | 959999 Cultural Understanding not elsewhere classified | en |
local.profile.school | School of Humanities, Arts and Social Sciences | en |
local.profile.email | ygriggs@une.edu.au | en |
local.output.category | B1 | en |
local.record.place | au | en |
local.record.institution | University of New England | en |
local.identifier.epublicationsrecord | une-20180416-15293 | en |
local.publisher.place | London, United Kingdom | en |
local.identifier.totalchapters | 28 | en |
local.format.startpage | 278 | en |
local.format.endpage | 286 | en |
local.peerreviewed | Yes | en |
local.title.subtitle | Nordic Noir TV crime drama as remake | en |
local.contributor.lastname | Griggs | en |
dc.identifier.staff | une-id:ygriggs | en |
local.profile.orcid | 0000-0001-9085-1164 | en |
local.profile.role | author | en |
local.identifier.unepublicationid | une:23423 | en |
dc.identifier.academiclevel | Academic | en |
local.title.maintitle | Reconfiguring the Nordic Noir Brand | en |
local.output.categorydescription | B1 Chapter in a Scholarly Book | en |
local.relation.url | https://nla.gov.au/anbd.bib-an62189035 | en |
local.search.author | Griggs, Yvonne | en |
local.uneassociation | Unknown | en |
local.year.published | 2018 | en |
local.fileurl.closedpublished | https://rune.une.edu.au/web/retrieve/0c511358-79eb-4611-a9a5-ed617bb29b23 | en |
local.subject.for2020 | 360505 Screen media | en |
local.subject.for2020 | 470214 Screen and media culture | en |
local.subject.for2020 | 470107 Media studies | en |
local.subject.seo2020 | 139999 Other culture and society not elsewhere classified | en |
Appears in Collections: | Book Chapter School of Humanities, Arts and Social Sciences |
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