Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/22936
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Barnes, Diana G | en |
local.source.editor | Editor(s): Susan Broomhall | en |
dc.date.accessioned | 2018-05-02T10:37:00Z | - |
dc.date.issued | 2017 | - |
dc.identifier.citation | Early Modern Emotions : An Introduction, p. 89-92 | en |
dc.identifier.isbn | 9781315441368 | en |
dc.identifier.isbn | 9781138925755 | en |
dc.identifier.isbn | 9781138925748 | en |
dc.identifier.uri | https://hdl.handle.net/1959.11/22936 | - |
dc.description.abstract | Poetry is a rich source for the history of emotions. Nevertheless, it is not a straightforward documentary source. Realism did not become the dominant form of literary representation until the nineteenth century. Rather, emotion in poetry can have both a symbolic and a literal meaning. Romantic love is by far the most pervasive emotion in early modem poetry, but friendship, grief, patriotism, religious wonder and stoic discipline are recurrent themes bound by conventions of genre, language and affect derived and adapted from classical poetry. | en |
dc.language | en | en |
dc.publisher | Routledge | en |
dc.relation.ispartof | Early Modern Emotions : An Introduction | en |
dc.relation.ispartofseries | Early Modern Themes | en |
dc.relation.isversionof | 1 | en |
dc.title | Poetry | en |
dc.type | Book Chapter | en |
dc.subject.keywords | British and Irish Literature | en |
local.contributor.firstname | Diana G | en |
local.subject.for2008 | 200503 British and Irish Literature | en |
local.subject.seo2008 | 950203 Languages and Literature | en |
local.subject.seo2008 | 950504 Understanding Europe's Past | en |
local.profile.school | School of Humanities, Arts and Social Sciences | en |
local.profile.email | dbarne26@une.edu.au | en |
local.output.category | B1 | en |
local.record.place | au | en |
local.record.institution | University of New England | en |
local.identifier.epublicationsrecord | une-chute-20180222-091249 | en |
local.publisher.place | London, United Kingdom | en |
local.identifier.totalchapters | 99 | en |
local.format.startpage | 89 | en |
local.format.endpage | 92 | en |
local.series.number | 2 | en |
local.peerreviewed | Yes | en |
local.contributor.lastname | Barnes | en |
dc.identifier.staff | une-id:dbarne26 | en |
local.profile.orcid | 0000-0003-3923-603X | en |
local.profile.role | author | en |
local.identifier.unepublicationid | une:23120 | en |
dc.identifier.academiclevel | Academic | en |
local.title.maintitle | Poetry | en |
local.output.categorydescription | B1 Chapter in a Scholarly Book | en |
local.relation.url | https://nla.gov.au/anbd.bib-an57552019 | en |
local.relation.grantdescription | ARC/CE1101011 | en |
local.search.author | Barnes, Diana G | en |
local.uneassociation | No | en |
local.year.published | 2017 | en |
local.fileurl.closedpublished | https://rune.une.edu.au/web/retrieve/fdd7bc77-02e3-42a6-a0b4-4b15ad2b0f2b | en |
local.subject.for2020 | 470504 British and Irish literature | en |
local.subject.seo2020 | 130203 Literature | en |
local.subject.seo2020 | 130704 Understanding Europe’s past | en |
Appears in Collections: | Book Chapter School of Humanities, Arts and Social Sciences |
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