Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/20489
Title: Overturning the Sudden End: New Interpretations of Catastrophe
Contributor(s): Taylor, Josephine (editor); Stevenson, Kylie (editor); Gardiner, Amanda (editor); Ryan, John C  (editor)orcid 
Publication Date: 2013
Open Access: Yes
Handle Link: https://hdl.handle.net/1959.11/20489
Open Access Link: http://journal.media-culture.org.au/index.php/mcjournal/article/view/631Open Access Link
Abstract: Catastrophe surrounds us perpetually: from the Queensland floods, Christchurch earthquake, global warming, and Global Financial Crisis to social conflicts, psychological breaking points, relationship failures, and crises of understanding. As a consequence of the pervasiveness of catastrophe, its representation saturates our everyday awareness. On a daily basis we encounter stories of people impacted by and coping with natural, economic, ecological, and emotional disasters of all kinds. But what is the relationship between culture, catastrophe, and creativity? Can catastrophe be an impetus for the creative transformation of societies and individuals? Conversely, how can culture moderate, transform, and re-imagine catastrophe? And in the final analysis, how should we conceive of catastrophe; does catastrophe have a bad name? These questions and others have guided us in editing the "catastrophe" issue of M/C Journal. The word catastrophe has been associated with extreme disaster only since the 1700s. In an earlier etymological sense, catastrophe simply connoted 'a reversal of what is expected' or, in Western literary history, a defining turn in a drama (Harper). Catastrophe derives from the Greek 'katastrophe' for "an overturning; a sudden end." As this issue clearly demonstrates, whilst catastrophes vary in scale, context, and meaning, their outcomes are life-changing inversions of the interpersonal, social, or environmental norm. In 'The Upside of Down: Catastrophe, Creativity, and the Renewal of Civilization', political scientist Thomas Homer-Dixon echoes this definition and argues that catastrophe "can be a source of immense creativity-a shock that opens up political, social, and psychological space for fresh ideas, actions, institutions, and technologies that weren't possible before" (23). According to Homer-Dixon and on a hopeful note, "in any complex adaptive system, breakdown, if limited, can be a key part of that system's long-term resilience and renewal" (308). Indeed, many of the articles in this issue sound a note of hope.
Publication Type: Journal Article
Source of Publication: M/C Journal, 16(1), p. 1-2
Publisher: Queensland University of Technology, Creative Industries Faculty
Place of Publication: Australia
ISSN: 1441-2616
Fields of Research (FoR) 2008: 200502 Australian Literature (excl. Aboriginal and Torres Strait Islander Literature)
200525 Literary Theory
200599 Literary Studies not elsewhere classified
Fields of Research (FoR) 2020: 470502 Australian literature (excl. Aboriginal and Torres Strait Islander literature)
470514 Literary theory
470599 Literary studies not elsewhere classified
Socio-Economic Objective (SEO) 2008: 959999 Cultural Understanding not elsewhere classified
970120 Expanding Knowledge in Language, Communication and Culture
950204 The Media
Socio-Economic Objective (SEO) 2020: 280114 Expanding knowledge in Indigenous studies
280116 Expanding knowledge in language, communication and culture
130204 The media
HERDC Category Description: C6 Editorship of a Scholarly Journal
Publisher/associated links: http://journal.media-culture.org.au/index.php/mcjournal/article/view/631
Appears in Collections:Journal Article

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