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Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/19813
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dc.contributor.authorWeisz, George Men
dc.contributor.authorAlbury, W Randallen
dc.contributor.authorMatucci-Cerinic, Men
dc.contributor.authorLazzeri, Den
dc.date.accessioned2017-01-12T12:26:00Z-
dc.date.issued2016-
dc.identifier.citationQJM, 109(9), p. 633-635en
dc.identifier.issn1460-2393en
dc.identifier.issn1460-2725en
dc.identifier.urihttps://hdl.handle.net/1959.11/19813-
dc.description.abstractThis article analyses the nature of the multiple finger anomalies found in portraits by the French Renaissance artistic dynasty, the Clouets. The multiplicity of finger anomalies could be either innocent congenital variants, or pathological and traumatic deformities. In view of the presence of such 'beautifying variations' in the works of other Renaissance artists, the authors decided that these features were not the result of an epidemic of deformities, but instead represented a stylistic approach in paintings of this period at the French Court.en
dc.languageenen
dc.publisherOxford University Pressen
dc.relation.ispartofQJMen
dc.title'Epidemic' of hand deformities in the French Renaissance paintings of Jean and François Cloueten
dc.typeJournal Articleen
dc.identifier.doi10.1093/qjmed/hcw067en
dcterms.accessRightsGolden
dc.subject.keywordsEuropean History (excl. British, Classical Greek and Roman)en
local.contributor.firstnameGeorge Men
local.contributor.firstnameW Randallen
local.contributor.firstnameMen
local.contributor.firstnameDen
local.subject.for2008210307 European History (excl. British, Classical Greek and Roman)en
local.subject.seo2008970121 Expanding Knowledge in History and Archaeologyen
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.emailgweisz@une.edu.auen
local.profile.emailwalbury2@une.edu.auen
local.output.categoryC1en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.identifier.epublicationsrecordune-20161114-192356en
local.publisher.placeUnited Kingdomen
local.format.startpage633en
local.format.endpage635en
local.identifier.scopusid84988825915en
local.peerreviewedYesen
local.identifier.volume109en
local.identifier.issue9en
local.access.fulltextYesen
local.contributor.lastnameWeiszen
local.contributor.lastnameAlburyen
local.contributor.lastnameMatucci-Cerinicen
local.contributor.lastnameLazzerien
dc.identifier.staffune-id:gweiszen
dc.identifier.staffune-id:walbury2en
local.profile.orcid0000-0002-7928-7109en
local.profile.roleauthoren
local.profile.roleauthoren
local.profile.roleauthoren
local.profile.roleauthoren
local.identifier.unepublicationidune:20005en
dc.identifier.academiclevelAcademicen
dc.identifier.academiclevelAcademicen
local.title.maintitle'Epidemic' of hand deformities in the French Renaissance paintings of Jean and François Cloueten
local.output.categorydescriptionC1 Refereed Article in a Scholarly Journalen
local.search.authorWeisz, George Men
local.search.authorAlbury, W Randallen
local.search.authorMatucci-Cerinic, Men
local.search.authorLazzeri, Den
local.uneassociationUnknownen
local.identifier.wosid000384715100019en
local.year.published2016en
local.fileurl.closedpublishedhttps://rune.une.edu.au/web/retrieve/1d33050b-f3b0-4695-9798-6bfc716f9d0fen
local.subject.for2020430308 European history (excl. British, classical Greek and Roman)en
local.subject.seo2020280114 Expanding knowledge in Indigenous studiesen
local.subject.seo2020280113 Expanding knowledge in history, heritage and archaeologyen
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