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Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/19259
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dc.contributor.authorLazzeri, Davideen
dc.contributor.authorAlbury, William Randallen
dc.contributor.authorLippi, Donatellaen
dc.contributor.authorWeisz, George Men
dc.date.accessioned2016-07-11T10:45:00Z-
dc.date.issued2015-
dc.identifier.citationJournal of Hand Surgery, 40(8), p. 1664-1665en
dc.identifier.issn1531-6564en
dc.identifier.issn0363-5023en
dc.identifier.urihttps://hdl.handle.net/1959.11/19259-
dc.description.abstractHand deformities, congenital or acquired, appear in many Renaissance paintings. One such work is the painting now entitled 'An Allegory of Venus and Cupid', by Agnolo di Cosimo Toni (1503-1572), better known as Bronzino. Bronzino was one of the major painters of the late Renaissance period. An exponent of Mannerism, a style of art that featured exaggerated colors, figures in unusual postures, and the use of sometimes bizarre images, Bronzino became the official court painter of Grand Duke Cosimo I de' Medici, the ruler of Tuscany from 1537 until his death in 1574.en
dc.languageenen
dc.publisherElsevier Incen
dc.relation.ispartofJournal of Hand Surgeryen
dc.titleThe Hand in Art: Bronzino's Allegory of Venus and Cupiden
dc.typeJournal Articleen
dc.identifier.doi10.1016/j.jhsa.2015.05.005en
dc.subject.keywordsEuropean History (excl. British, Classical Greek and Roman)en
local.contributor.firstnameDavideen
local.contributor.firstnameWilliam Randallen
local.contributor.firstnameDonatellaen
local.contributor.firstnameGeorge Men
local.subject.for2008210307 European History (excl. British, Classical Greek and Roman)en
local.subject.seo2008970121 Expanding Knowledge in History and Archaeologyen
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.emailwalbury2@une.edu.auen
local.profile.emailgweisz@une.edu.auen
local.output.categoryC1en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.identifier.epublicationsrecordune-20160707-181554en
local.publisher.placeUnited States of Americaen
local.format.startpage1664en
local.format.endpage1665en
local.identifier.scopusid84938213229en
local.peerreviewedYesen
local.identifier.volume40en
local.identifier.issue8en
local.title.subtitleBronzino's Allegory of Venus and Cupiden
local.contributor.lastnameLazzerien
local.contributor.lastnameAlburyen
local.contributor.lastnameLippien
local.contributor.lastnameWeiszen
dc.identifier.staffune-id:walbury2en
dc.identifier.staffune-id:gweiszen
local.profile.roleauthoren
local.profile.roleauthoren
local.profile.roleauthoren
local.profile.roleauthoren
local.identifier.unepublicationidune:19455en
dc.identifier.academiclevelAcademicen
dc.identifier.academiclevelAcademicen
local.title.maintitleThe Hand in Arten
local.output.categorydescriptionC1 Refereed Article in a Scholarly Journalen
local.search.authorLazzeri, Davideen
local.search.authorAlbury, William Randallen
local.search.authorLippi, Donatellaen
local.search.authorWeisz, George Men
local.uneassociationUnknownen
local.identifier.wosid000359511100021en
local.year.published2015en
local.subject.for2020430308 European history (excl. British, classical Greek and Roman)en
local.subject.seo2020280113 Expanding knowledge in history, heritage and archaeologyen
local.subject.seo2020280114 Expanding knowledge in Indigenous studiesen
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