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https://hdl.handle.net/1959.11/18133
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DC Field | Value | Language |
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dc.contributor.author | Pender, Anne | en |
dc.date.accessioned | 2015-11-10T17:27:00Z | - |
dc.date.issued | 2015 | - |
dc.identifier.citation | Good Works, p. vii-xiii | en |
dc.identifier.isbn | 9781925005622 | en |
dc.identifier.isbn | 9781925359152 | en |
dc.identifier.uri | https://hdl.handle.net/1959.11/18133 | - |
dc.description.abstract | Nick Enright's 'Good Works' is a savage play about families and friendships. It considers questions of loyalty, betrayal and the real meaning of goodness. The action of the play explores the relationship between two young men, Tim and Shane, and the friendship between their mothers, Mary Margaret and Rita. 'Good Works' is compelling in its exploration of sexuality in both generations and the pressure to conform imposed by authority figures on all of the characters. Its rapidly paced shifts in time and place create dramatic tension, a dynamic energy in the play and an ingenious sharpness of focus on the moral questions that infuse the drama. | en |
dc.language | en | en |
dc.publisher | Currency Press | en |
dc.relation.ispartof | Good Works | en |
dc.relation.isversionof | 1 | en |
dc.title | Introduction | en |
dc.type | Book Chapter | en |
dc.subject.keywords | Drama, Theatre and Performance Studies | en |
dc.subject.keywords | Australian Literature (excl. Aboriginal and Torres Strait Islander Literature) | en |
local.contributor.firstname | Anne | en |
local.subject.for2008 | 190404 Drama, Theatre and Performance Studies | en |
local.subject.for2008 | 200502 Australian Literature (excl. Aboriginal and Torres Strait Islander Literature) | en |
local.subject.seo2008 | 950105 The Performing Arts (incl. Theatre and Dance) | en |
local.profile.school | School of Humanities, Arts and Social Sciences | en |
local.profile.email | jpender@une.edu.au | en |
local.output.category | B1 | en |
local.record.place | au | en |
local.record.institution | University of New England | en |
local.identifier.epublicationsrecord | une-20151109-11364 | en |
local.publisher.place | Sydney, Australia | en |
local.identifier.totalchapters | 2 | en |
local.format.startpage | vii | en |
local.format.endpage | xiii | en |
local.contributor.lastname | Pender | en |
dc.identifier.staff | une-id:jpender | en |
local.profile.orcid | 0000-0002-7435-0308 | en |
local.profile.role | author | en |
local.identifier.unepublicationid | une:18339 | en |
dc.identifier.academiclevel | Academic | en |
local.title.maintitle | Introduction | en |
local.output.categorydescription | B1 Chapter in a Scholarly Book | en |
local.relation.url | http://trove.nla.gov.au/version/217795116 | en |
local.search.author | Pender, Anne | en |
local.uneassociation | Unknown | en |
local.year.published | 2015 | en |
local.subject.for2020 | 360401 Applied theatre | en |
local.subject.for2020 | 360403 Drama, theatre and performance studies | en |
local.subject.for2020 | 470502 Australian literature (excl. Aboriginal and Torres Strait Islander literature) | en |
local.subject.seo2020 | 130104 The performing arts | en |
Appears in Collections: | Book Chapter School of Humanities, Arts and Social Sciences |
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