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https://hdl.handle.net/1959.11/15995| Title: | The Deforming Prism: Messiaen's 'Four Studies in Rhythm' | Contributor(s): | Ghandar, Ann (author) | Publication Date: | 2010 | Handle Link: | https://hdl.handle.net/1959.11/15995 | Abstract: | In 1972 I gave the Australian premiere of Messiaen's 'Four Studies in Rhythm' during the Adelaide Festival of Arts, and my performance was reviewed by John Horner for 'The Adelaide Advertiser'. Although to his credit Horner recognized the work as a major contribution by Messiaen to the piano repertoire, he thought that its effect on the audience was similar to that of a "minor earthquake". | Publication Type: | Book Chapter | Source of Publication: | Olivier Messiaen: The Centenary Papers, p. 110-121 | Publisher: | Cambridge Scholars Publishing | Place of Publication: | United Kingdom | ISBN: | 9781443824989 1443824984 |
Fields of Research (FoR) 2008: | 190409 Musicology and Ethnomusicology | Socio-Economic Objective (SEO) 2008: | 950101 Music | HERDC Category Description: | B1 Chapter in a Scholarly Book | Publisher/associated links: | http://trove.nla.gov.au/version/51476216 | Editor: | Editor(s): Judith Crispin |
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| Appears in Collections: | Book Chapter |
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